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DEMOCRATIZING FINANCE

ORIGINS OF THE COMMUNITY DEVELOPMENT FINANCIAL INSTITUTIONS MOVEMENT

A remarkably incisive history and a wonderfully relevant contribution to an ongoing debate.

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A detailed history of community development financial institutions and the overall effort to provide capital to the economically disenfranchised. 

The “problem of providing access to capital to people on the economic margins” isn’t a new one, argues debut author Rosenthal, but dates back to the nation’s origins. At the end of the 18th century, Benjamin Franklin understood that “aspiring entrepreneurs of the working class” were stymied by insufficient access to capital, and he advocated a nascent version of microenterprise lending. And in the wake of the Civil War, the Freedmen’s Bureau established banks specifically designed to serve former slaves. The author meticulously traces this history through the explosion of credit unions in the early 20th century, the recommitment to battling poverty in the 1960s, the proliferation of community reinvestment strategies in the 1970s, and opportunities generated by the banking scandals of the 1980s. The central focus of the book, though, is the creation of CDFIs, possible because of a law signed by President Bill Clinton in 1994. Unlike those programs that preceded it, CDFIs were designed to be less centralized and bureaucratic and more adaptable to community needs. Rosenthal expertly discusses the approach’s sundry strengths and accomplishments and its weaknesses, too, particularly with respect to the funding of social services, education, and health. And while the author’s history is granularly detailed, he raises provocative, philosophical questions about what we’ve cumulatively learned over the years: “How do we describe the universe of diverse institutions that bear that brand—now arguably the most valuable one in community development? Finally, what is the nature of the social phenomenon that we call community development finance?” Rosenthal is more than a detached observer—he led the National Federation of Community Development Credit Unions for more than 30 years, the source of both his deep knowledge and obvious passion for the subject. His account is magisterially thorough and thoughtful—and timely given renewed calls to defund the CDFIs.

A remarkably incisive history and a wonderfully relevant contribution to an ongoing debate. 

Pub Date: Nov. 5, 2018

ISBN: 978-1-5255-3662-5

Page Count: 556

Publisher: FriesenPress

Review Posted Online: Jan. 4, 2019

Kirkus Reviews Issue: Feb. 15, 2019

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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