A remarkably incisive history and a wonderfully relevant contribution to an ongoing debate.

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DEMOCRATIZING FINANCE

ORIGINS OF THE COMMUNITY DEVELOPMENT FINANCIAL INSTITUTIONS MOVEMENT

A detailed history of community development financial institutions and the overall effort to provide capital to the economically disenfranchised. 

The “problem of providing access to capital to people on the economic margins” isn’t a new one, argues debut author Rosenthal, but dates back to the nation’s origins. At the end of the 18th century, Benjamin Franklin understood that “aspiring entrepreneurs of the working class” were stymied by insufficient access to capital, and he advocated a nascent version of microenterprise lending. And in the wake of the Civil War, the Freedmen’s Bureau established banks specifically designed to serve former slaves. The author meticulously traces this history through the explosion of credit unions in the early 20th century, the recommitment to battling poverty in the 1960s, the proliferation of community reinvestment strategies in the 1970s, and opportunities generated by the banking scandals of the 1980s. The central focus of the book, though, is the creation of CDFIs, possible because of a law signed by President Bill Clinton in 1994. Unlike those programs that preceded it, CDFIs were designed to be less centralized and bureaucratic and more adaptable to community needs. Rosenthal expertly discusses the approach’s sundry strengths and accomplishments and its weaknesses, too, particularly with respect to the funding of social services, education, and health. And while the author’s history is granularly detailed, he raises provocative, philosophical questions about what we’ve cumulatively learned over the years: “How do we describe the universe of diverse institutions that bear that brand—now arguably the most valuable one in community development? Finally, what is the nature of the social phenomenon that we call community development finance?” Rosenthal is more than a detached observer—he led the National Federation of Community Development Credit Unions for more than 30 years, the source of both his deep knowledge and obvious passion for the subject. His account is magisterially thorough and thoughtful—and timely given renewed calls to defund the CDFIs.

A remarkably incisive history and a wonderfully relevant contribution to an ongoing debate. 

Pub Date: Nov. 5, 2018

ISBN: 978-1-5255-3662-5

Page Count: 556

Publisher: FriesenPress

Review Posted Online: Jan. 4, 2019

Kirkus Reviews Issue: Feb. 15, 2019

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WHAT A WONDERFUL WORLD

A LIFETIME OF RECORDINGS

Noted jazz and pop record producer Thiele offers a chatty autobiography. Aided by record-business colleague Golden, Thiele traces his career from his start as a ``pubescent, novice jazz record producer'' in the 1940s through the '50s, when he headed Coral, Dot, and Roulette Records, and the '60s, when he worked for ABC and ran the famous Impulse! jazz label. At Coral, Thiele championed the work of ``hillbilly'' singer Buddy Holly, although the only sessions he produced with Holly were marred by saccharine strings. The producer specialized in more mainstream popsters like the irrepressibly perky Teresa Brewer (who later became his fourth wife) and the bubble-machine muzak-meister Lawrence Welk. At Dot, Thiele was instrumental in recording Jack Kerouac's famous beat- generation ramblings to jazz accompaniment (recordings that Dot's president found ``pornographic''), while also overseeing a steady stream of pop hits. He then moved to the Mafia-controlled Roulette label, where he observed the ``silk-suited, pinky-ringed'' entourage who frequented the label's offices. Incredibly, however, Thiele remembers the famously hard-nosed Morris Levy, who ran the label and was eventually convicted of extortion, as ``one of the kindest, most warm-hearted, and classiest music men I have ever known.'' At ABC/Impulse!, Thiele oversaw the classic recordings of John Coltrane, although he is the first to admit that Coltrane essentially produced his own sessions. Like many producers of the day, Thiele participated in the ownership of publishing rights to some of the songs he recorded; he makes no apology for this practice, which he calls ``entirely appropriate and without any ethical conflicts.'' A pleasant, if not exactly riveting, memoir that will be of most interest to those with a thirst for cocktail-hour stories of the record biz. (25 halftones, not seen)

Pub Date: May 1, 1995

ISBN: 0-19-508629-4

Page Count: 224

Publisher: Oxford Univ.

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: March 1, 1995

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MOMOFUKU MILK BAR

With this detailed, versatile cookbook, readers can finally make Momofuku Milk Bar’s inventive, decadent desserts at home, or see what they’ve been missing.

In this successor to the Momofuku cookbook, Momofuku Milk Bar’s pastry chef hands over the keys to the restaurant group’s snack-food–based treats, which have had people lining up outside the door of the Manhattan bakery since it opened. The James Beard Award–nominated Tosi spares no detail, providing origin stories for her popular cookies, pies and ice-cream flavors. The recipes are meticulously outlined, with added tips on how to experiment with their format. After “understanding how we laid out this cookbook…you will be one of us,” writes the author. Still, it’s a bit more sophisticated than the typical Betty Crocker fare. In addition to a healthy stock of pretzels, cornflakes and, of course, milk powder, some recipes require readers to have feuilletine and citric acid handy, to perfect the art of quenelling. Acolytes should invest in a scale, thanks to Tosi’s preference of grams (“freedom measurements,” as the friendlier cups and spoons are called, are provided, but heavily frowned upon)—though it’s hard to be too pretentious when one of your main ingredients is Fruity Pebbles. A refreshing, youthful cookbook that will have readers happily indulging in a rising pastry-chef star’s widely appealing treats.    

 

Pub Date: Oct. 25, 2011

ISBN: 978-0-307-72049-8

Page Count: 256

Publisher: Clarkson Potter

Review Posted Online: Jan. 13, 2012

Kirkus Reviews Issue: Oct. 15, 2011

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