A thoroughly light and entertaining memoir.
Fashion maven Kelly (Freakin’ Fabulous on a Budget, 2013, etc.) is more booster than basher in this collection of mostly autobiographical essays about his life on- and off-screen.
At one point late in his amiable memoir, the author, moderator of The Chew and former co-host of What Not to Wear, warns a group of graduating high school kids to “dump the fucking assholes” in their lives. That succinct yet salient exhortation sums up Kelly’s approach to life, both personal and professional. Whether chasing a lucrative career in media or a handsome suitor at the end of the bar, the former Long Island dork who always found fitting in difficult emphasizes his ongoing quest for common decency. Those wishing for a scathing takedown of the TV show he co-hosted with Stacy London for 10 years on TLC will be sorely disappointed. The most caustic Kelly gets on that score is when he concedes that he and the stylish London were like combining baking soda and vinegar: “after the fun part fizzles out, you’re left with a puddle of nothing in particular.” Southern-fried food guru Paula Deen earns a lot more of Kelly’s ire, but only after comparing him to “a turd in the punchbowl” during a live-to-tape broadcast. Usually taking the high road, Kelly recounts past love affairs, run-ins with rude diners, and correspondence from unfavorable viewers with equal, levelheaded aplomb. Kelly also displays a keen sense of slapstick comedy, hilariously portraying the time a trip to the mud baths with an old pal turned into a desperate rescue operation requiring the two childhood friends to see each other naked for the first time: “One might think I deserved a heartfelt thank-you from my oldest friend in the world. Instead, Lisa—covered in so much mud that only the whites of her eyes resembled human tissue—asked: ‘Do your balls always hang that low?’ ”
A thoroughly light and entertaining memoir.Pub Date: Jan. 10, 2017
ISBN: 978-1-4767-7693-4
Page Count: 240
Publisher: Gallery Books/Simon & Schuster
Review Posted Online: Dec. 6, 2016
Kirkus Reviews Issue: Dec. 15, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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