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THE THIEF OF ALWAYS

Is it penance? Cockiness? A final burst of youth? Whatever the reasons, in recent years, several middle-aging horror authors have written children's books (rarely marketed as such): Whitley Strieber's Wolf of Shadows (1985); Stephen King's The Eyes of the Dragon (1987); Dean Koontz's Oddkins (1988)—and now, from Barker, a ``fable'' about a wish-granting house that may be the weakest of the lot. Barker's adult novels (Imajica, 1991, etc.) deal with the play between our world and fabulous alternate realities. Here, too, the hero—ten-year-old Harvey Swick—encounters another world, by having his cry of boredom answered by a yellow-skinned man named Rictus who flies through Harvey's bedroom window and offers to take him to ``Holiday House.'' The boy agrees and, led through a wall of fog, finds himself in a magical place where, during each 24 hours, all four seasons pass (hot, sunny afternoons; snowy winter nights, etc.) along with their holidays, including Christmas mornings that find Harvey's most cherished wishes answered beneath the tree. It's paradise, Harvey thinks at first, but soon wonders: Why is fellow- visitor Lulu so morose? What kind of fish are those, with eyes like ``prisoners,'' lurking in the pond out back? And where is Mr. Hood, the House's wish-granting owner? In time, Harvey senses evil at work and flees, only to find that, back home, his parents have aged a year for every day at the House. And so he returns to the House, to find and battle Mr. Hood and win back his stolen years.... The House is a splendid conceit, but Harvey (Barker's first child hero) is as real as a Norman Rockwell kid, and the studiously simple narration—leached of Barker's usual X-rated, riotous imagery—lacks spirit. If this were a limited edition, it'd be a minor collector's item; with a 100,000 first printing, it's a major miscalculation. (Drawings—42—by Barker.)

Pub Date: Nov. 18, 1992

ISBN: 0-06-017724-1

Page Count: 240

Publisher: HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 15, 1992

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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