Cussler and Morrison will always entertain when you're tired of binge-watching TV action shows.
Juan Cabrillo and the Oregon’s crew are imperiled by Filipino communist guerrillas armed with deadly aquatic drones in Cussler and long-time co-writer Morrison's (The Emperor's Revenge, 2016, etc.) latest spy-ship adventure.
Owned by the Corporation, which conducts missions for the CIA and is led by ex–CIA operative Langston Overholt IV, the Oregon looks like a derelict freighter but is powered by magnetohydrodynamic engines and carries exotic weaponry like Exocet missiles and a 120mm cannon. The ship is in the Pacific when Cabrillo's called to find a top-secret thumb drive sought by both the Ghost Dragon triad and the Chinese Ministry of State Security. That problem solved, Cabrillo and crew are told Salvador Locsin, the communist New People’s Army chief in the Philippines, has uncovered a lost Imperial Japanese WWII–era superdrug, Typhoon, developed from an exotic Philippine orchid. Typhoon is said to generate superhuman strength and provide "quick blood clotting and accelerated tissue regeneration,” sure to trigger chaos if it gets into the wrong hands. Cussler and Morrison’s superfast scene shifting via dozens of short chapters means tighten your seat belts, because the narrative never slows. Purloined art by Renoir, Monet, Van Gogh, Raphael, Gauguin, and Cezanne bankrolls the assorted communist enterprises. Locsin is also searching for the WWII sunken ship USS Pearsall, which was carrying barrels of Typhoon. Were Americans tied to the killer drug? Or was it another of the “obscene medical experiments” of the Imperial Army's nefarious Unit 731? Along the way, the Oregon is imperiled by Locsin's just-add-water drone, the "the size and shape of a Jet Ski" with a "hundred pounds of Semtex inside." A good portion of the book's first half is scene-setting, then Cabrillo and company pull out the M-4s and Glocks and start settling scores. Corregidor's abandoned WWII tunnels and isolated Philippine jungle islands provide the background, but there's zero character development and much macho, self-referential, and repartee-laden dialogue.
Cussler and Morrison will always entertain when you're tired of binge-watching TV action shows.Pub Date: Nov. 7, 2017
ISBN: 978-0-399-57557-0
Page Count: 448
Publisher: Putnam
Review Posted Online: Aug. 21, 2017
Kirkus Reviews Issue: Sept. 1, 2017
An addictive psychological thriller.
When a mysterious novel appears on her bedside table, a successful documentary filmmaker finds herself face to face with a secret that threatens to unravel life as she knows it.
Catherine Ravenscroft has built a dream life, or close to it: the devoted husband, the house in London, the award-winning career as a documentary filmmaker. And though she’s never quite bonded with her 25-year-old son the way she’d hoped, he’s doing fine—there are worse things than being an electronics salesman. But when she stumbles across a sinister novel called The Perfect Stranger—no one’s quite sure how it came into the house—Catherine sees herself in its pages, living out scenes from her past she’d hoped to forget. It’s a threat—but from whom? And why now, 20 years after the fact? Meanwhile, Stephen Brigstocke, a retired teacher, widowed and in pain, is desperate to exact revenge on Catherine and make her pay for what happened all those years ago. The story is told in alternating chapters, Catherine's in the third-person and Stephen's in the first, as the two orbit each other, predator and prey, and the novel moves between the past and the present to paint a portrait of two troubled families with trauma bubbling under the surface. As their lives become increasingly entangled, Stephen’s obsession grows, Catherine’s world crumbles, and it becomes clear that—in true thriller form—everything may not be as it seems. But how much destruction must be wrought before the truth comes out? And when it does, will there be anything left to salvage? While the long buildup to the big reveal begins to drag, Knight’s elegant plot and compelling (if not unexpected) characters keep the heart of the novel beating even when the pacing falters. Atmospheric and twisting and ripe for TV adaptation, this debut novel never strays far from convention, but that doesn’t make it any less of a page-turner.
An addictive psychological thriller.Pub Date: May 19, 2015
ISBN: 978-0-06-236225-4
Page Count: 352
Publisher: Harper/HarperCollins
Review Posted Online: March 1, 2015
Kirkus Reviews Issue: March 15, 2015
BOOK REVIEW
BOOK TO SCREEN
BOOK TO SCREEN
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
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