Revealing, entertaining account of the fortunes—almost always waxing—of the music mogul.
Writing with ace Rolling Stone journalist DeCurtis, Davis recounts his rise from an impoverished Brooklyn childhood to heading Columbia Records and other labels. That rise came by way of hard work and attendance at Harvard Law School, where he qualified for the Review but, ever entrepreneurial, joined the activities board because the post offered a small stipend. As counsel to Columbia, he found that he had an ear for music and an eye for talent, and from there, he rocketed upward. In his tenure at Columbia and Arista, Davis discovered many artists and elevated many others, and he is gracious toward almost all, if carefully so: Paul Simon, we gather, is prickly, and Whitney Houston was a constant handful (about The Bodyguard: “She held her own, but you couldn’t say her performance was inspiring”). Davis is also remarkably catholic in his tastes, having worked with everyone from Miles Davis to Laura Nyro to Johnny Cash to the Grateful Dead to Sean Combs and his coterie of rappers (“When I went to artist showcases or parties Puffy threw for his label’s stars in clubs around the city late at night, I never once brought a bodyguard”). The anecdotes are fun to read, if seldom newsworthy; what is of greater value is Davis’ detailing of how hits are made. As he writes, “I think there’s a bit of confusion between pop music and pop success,” adding that although the Dead and Patti Smith, and even Aretha Franklin, weren’t pop artists, he was able to work his magic on them to produce hits—and lots of money.
A touch overlong, but a pleasure to read, elevated and mensch-y at the same time.Pub Date: Feb. 19, 2013
ISBN: 978-1-4767-1478-3
Page Count: 608
Publisher: Simon & Schuster
Review Posted Online: Feb. 27, 2013
Kirkus Reviews Issue: April 1, 2013
Categories: BIOGRAPHY & MEMOIR | BUSINESS | ENTERTAINMENT, SPORTS & CELEBRITY
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The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.
Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.
If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.Pub Date: Sept. 1, 1998
ISBN: 0-670-88146-5
Page Count: 430
Publisher: Viking
Review Posted Online: May 20, 2010
Kirkus Reviews Issue: July 15, 1998
Categories: GENERAL BIOGRAPHY & MEMOIR | BIOGRAPHY & MEMOIR | PHILOSOPHY & RELIGION | PSYCHOLOGY | HISTORICAL & MILITARY
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Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
Categories: BIOGRAPHY & MEMOIR | HOLOCAUST | HISTORY | GENERAL BIOGRAPHY & MEMOIR | GENERAL HISTORY
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