by C.M. North ‧ RELEASE DATE: Nov. 7, 2017
A harrowing portrait of depression and the toxic legacy of abuse.
When a teenager falls into a spiral of depression and self-harm, friends and family try to save her before it’s too late.
In this debut novel, a solitary teenage girl, dressed all in black, makes her way through the city to her friend’s apartment on a summer day. Amy is sensitive, quiet, and shy, with few close pals except for Bethany, an outgoing girl who is concerned that her friend seems depressed. Amy was close to another classmate named Jason, until he dropped out of school after his girlfriend became pregnant. As their friendship deepens, Beth discovers that Amy’s depression includes damaging actions. At times of intense personal stress, Amy cuts her arms and legs. Despite her attempts to connect with Jason and Beth’s efforts to help her, Amy slides further into a cycle of depression and cutting. Amy’s parents are bitterly divided over how best to help her; her mother encourages therapy, but her father believes her problems are a cry for attention. When tragedy strikes, Amy finds herself in an emotional free fall that culminates in hospitalization after cutting her arm. A new friendship offers her another opportunity for connection, but it may not be enough to save her from her depression. Meanwhile, a young couple fall in love after meeting at a party. Their marriage soon plunges into a cycle of addiction and abuse—a pattern whose effects last for generations. North’s book delivers a riveting and dynamic examination of depression and self-mutilation in a teenage girl and the lasting effects of abuse within a family. But the multilayered narrative approach is not perfectly seamless. Amy is a strong and sympathetic protagonist whose struggle with depression and cutting affects every aspect of her life, from relationships with family and friends to performance at work and school. Although her depression is primarily viewed through the lens of the people who know her best, her diary entries provide valuable insights. In one passage describing her love of black clothing and goth culture, she asserts: “I don’t know how to explain it other than there’s a comfort in misery, something dark and familiar and soothing, like feeling protected by shadow. No one can find me, no one can hurt me, no one can even see me.” The author utilizes a singular structure in telling Amy’s story. Most of the narrative is in the third person; however, chapters narrated by Beth, Beth’s father, a nurse, and two of Amy’s classmates supply additional perspectives on their efforts to help Amy. North’s novel also includes a parallel tale about a young couple whose marriage gradually disintegrates under the weight of addiction and abuse. The pacing of the couple’s story is intense as innocent domestic arguments gradually escalate into a shocking breach of trust, but the transitions between their tale and Amy’s are abrupt, and the characters are never referred to by name. While the couple are pivotal to the narrative, Amy’s story offers stronger overall character development.
A harrowing portrait of depression and the toxic legacy of abuse.Pub Date: Nov. 7, 2017
ISBN: 978-1-5467-0594-9
Page Count: 330
Publisher: CreateSpace
Review Posted Online: Jan. 2, 2018
Review Program: Kirkus Indie
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by Harper Lee ‧ RELEASE DATE: July 11, 1960
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
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SEEN & HEARD
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by Paulo Coelho & translated by Margaret Jull Costa ‧ RELEASE DATE: July 1, 1993
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
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