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22 SCARS

A harrowing portrait of depression and the toxic legacy of abuse.

When a teenager falls into a spiral of depression and self-harm, friends and family try to save her before it’s too late.

In this debut novel, a solitary teenage girl, dressed all in black, makes her way through the city to her friend’s apartment on a summer day. Amy is sensitive, quiet, and shy, with few close pals except for Bethany, an outgoing girl who is concerned that her friend seems depressed. Amy was close to another classmate named Jason, until he dropped out of school after his girlfriend became pregnant. As their friendship deepens, Beth discovers that Amy’s depression includes damaging actions. At times of intense personal stress, Amy cuts her arms and legs. Despite her attempts to connect with Jason and Beth’s efforts to help her, Amy slides further into a cycle of depression and cutting. Amy’s parents are bitterly divided over how best to help her; her mother encourages therapy, but her father believes her problems are a cry for attention. When tragedy strikes, Amy finds herself in an emotional free fall that culminates in hospitalization after cutting her arm. A new friendship offers her another opportunity for connection, but it may not be enough to save her from her depression. Meanwhile, a young couple fall in love after meeting at a party. Their marriage soon plunges into a cycle of addiction and abuse—a pattern whose effects last for generations. North’s book delivers a riveting and dynamic examination of depression and self-mutilation in a teenage girl and the lasting effects of abuse within a family. But the multilayered narrative approach is not perfectly seamless. Amy is a strong and sympathetic protagonist whose struggle with depression and cutting affects every aspect of her life, from relationships with family and friends to performance at work and school. Although her depression is primarily viewed through the lens of the people who know her best, her diary entries provide valuable insights. In one passage describing her love of black clothing and goth culture, she asserts: “I don’t know how to explain it other than there’s a comfort in misery, something dark and familiar and soothing, like feeling protected by shadow. No one can find me, no one can hurt me, no one can even see me.” The author utilizes a singular structure in telling Amy’s story. Most of the narrative is in the third person; however, chapters narrated by Beth, Beth’s father, a nurse, and two of Amy’s classmates supply additional perspectives on their efforts to help Amy. North’s novel also includes a parallel tale about a young couple whose marriage gradually disintegrates under the weight of addiction and abuse. The pacing of the couple’s story is intense as innocent domestic arguments gradually escalate into a shocking breach of trust, but the transitions between their tale and Amy’s are abrupt, and the characters are never referred to by name. While the couple are pivotal to the narrative, Amy’s story offers stronger overall character development.

A harrowing portrait of depression and the toxic legacy of abuse.

Pub Date: Nov. 7, 2017

ISBN: 978-1-5467-0594-9

Page Count: 330

Publisher: CreateSpace

Review Posted Online: Jan. 2, 2018

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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