The celebrated British travel writer takes us on a fascinating journey along the Amur River.
In his latest adventure, octogenarian Thubron planned to follow the river “as it flows through south-east Siberia then meets China, then breaks for the Pacific.” For more than 1,000 of its 2,600 miles (which includes its source river, the Argun), the Amur forms the border between the Russian Far East and northeastern China. The Chinese call it Heilongjiang, which means “Black Dragon River, for the dragon’s imperial grandeur.” One of his first guides, a Mongolian horseman, warned him about the dangerous, “almost impassable” landscape. Shortly after starting out, the author suffered an injury, which forced him to question his body’s ability to keep up—yet, as always, he persevered. Standing out as a foreigner in a region that rarely hosts travelers, Thubron became the object of covert attention. Often, this curiosity resulted only in extended gazes and innocent questions, but he also endured numerous police interrogations and a nagging fear that he was being followed. Accompanied by various guides, the author made his way through this vast, unforgiving territory by car, boat, and train, evoking with beautiful detail and compassion its rich history and culture. Though the region is shrouded with mistrust, Thubron effectively brings it to life. Throughout his trip, the author engaged in discussions with local residents, who openly shared their personal feelings and histories as if they were longtime friends. Many villagers lamented the loss of their native cultures and offered conflicting views about the ownership of the region. The Chinese spoke of Russian land grabs and the profound unease of Chinese artifacts lying inside Russian borders, while Mongolians and Russians claimed that the Chinese were stripping the land and infiltrating every aspect of business. Thubron also laments the demise of the region’s Indigenous cultures and languages. Readers will, too, as they savor this enthralling travel narrative.
A captivating portrait of a remote region of the world that many readers may know nothing about.Pub Date: Sept. 21, 2021
ISBN: 978-0-06-309968-5
Page Count: 320
Publisher: Harper/HarperCollins
Review Posted Online: July 17, 2021
Kirkus Reviews Issue: Aug. 15, 2021
Categories: BIOGRAPHY & MEMOIR | HISTORY | NATURE | SURVIVORS & ADVENTURERS | WORLD | GENERAL BIOGRAPHY & MEMOIR
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The third volume in the Elephant Whisperer series.
In this follow-up to An Elephant in My Kitchen, Malby-Anthony continues her loving portrait of the Thula Thula wildlife reserve, which she co-founded in 1998 with her late husband, South African conservationist Lawrence Anthony, who published the first book in the series, The Elephant Whisperer, in 2009. Following his death in 2012, Malby-Anthony sought to honor his legacy by continuing his vision “to create a massive conservancy in Zululand, incorporating our land and other small farms and community land into one great big game park.” At the same time, the elephants gave her “a sense of purpose and direction.” In the Zulu language, thula means quiet, and though the author consistently seeks to provide that calm to her charges, peace and tranquility are not always easy to come by at Thula Thula. In this installment, Malby-Anthony discusses many of the challenges faced by her and her staff, particularly during the Covid-19 pandemic. These included an aggressive, 2-ton rhino named Thabo; the profound loss felt by all upon the death of their elephant matriarch, Frankie; difficulty obtaining permits and the related risk of having to relocate or cull some of their animals; the fear of looting and fire due to civil unrest in the region; and the ongoing and potentially deadly struggles with poachers. Throughout, the author also shares many warm, lighthearted moments, demonstrating the deep bond felt among the humans and animals at the reserve and the powerful effects of the kindness of strangers. “We are all working in unity for the greater good, for the betterment of Thula Thula and all our wildlife….We are humbled by the generosity and love, both from our guests and friends, and from strangers all around the world,” writes the author. “People’s open-hearted support kept us alive in the darkest times.”
A heartwarming and inspiring story for animal lovers.Pub Date: April 25, 2023
ISBN: 9781250284259
Page Count: 320
Publisher: St. Martin's
Review Posted Online: Feb. 22, 2023
Kirkus Reviews Issue: March 15, 2023
Categories: BIOGRAPHY & MEMOIR | NATURE | GENERAL BIOGRAPHY & MEMOIR | SURVIVORS & ADVENTURERS
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BOOK REVIEW
An indispensable primer on the history of art, with an exclusive focus on women.
Prominent 19th-century art critic John Ruskin once proclaimed, “the woman’s intellect is not for invention or creation, but for sweet ordering, arrangement, and decision,” and traces of this misguided and malignant sentiment can still be found over a century later in art institutions around the world. A 2019 study found that “in the collections of eighteen major US art museums, 87 percent of artworks were by men, and 85 percent by white artists.” There’s a lot to be mad about, but London-based art historian Hessel nimbly pivots that energy into a constructive, revelatory project. This book is not a mere rebuttal to the aforementioned discrimination; deftly researched, the text reveals an alternate history of centuries of artistic movements. With palpable excitement, the author shifts the focus from widely known male participants to the unsung female players of the time. Art aficionados will delight in Hessel’s sleight of hand and marvel at her wide, inclusive reach. Spanning from Baroque art to the present day, she effortlessly removes “the clamour of men” and, in a series of short biographical profiles, shapes a historical arc that still feels grounded even without a familiar male presence. Art history must “reset,” Hessel writes, and she positions her book as an important first step in that reconfiguration. While the author progresses mostly movement by movement, her broader tangents are particularly profound. One of many highlights is a generous overview of queer artists of the Weimar era. Hessel is occasionally uneven with how much content she allots each artist, and some perfunctory profiles feel like the result of trying to highlight as many names as possible. Nonetheless, even the shortest gloss provides enough intrigue to be a successful introduction to an artist who might otherwise be forgotten.
An overdue upending of art historical discourse.Pub Date: May 2, 2023
ISBN: 9780393881868
Page Count: 512
Publisher: Norton
Review Posted Online: Feb. 16, 2023
Kirkus Reviews Issue: March 15, 2023
Categories: ART & PHOTOGRAPHY | HISTORY | WORLD | CURRENT EVENTS & SOCIAL ISSUES | WOMEN & FEMINISM
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