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SAM(UEL)

Gareau’s (My Mother’s Summer Vacations, 2014) latest book centers on Lizzie Valor, a 17-year-old girl in northern Ontario...

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A novel about gender identity, abusive relationships and how to find one’s own way in the world.

Gareau’s (My Mother’s Summer Vacations, 2014) latest book centers on Lizzie Valor, a 17-year-old girl in northern Ontario who’s recently become pregnant by her abusive boyfriend, Rue. Lizzie births her baby, Sarah Jane, alone in a bathroom, and when her own father tells her that she must marry Rue to avoid shaming the family with an illegitimate child, she decides to run away and escape to Toronto, the closest big city. Lizzie and Sarah Jane take a 12-hour bus ride there, and once they arrive, they find shelter at hostels, restaurants and, when their money finally runs out, train stations as Lizzie struggles to find a job. At one of these stations, Lizzie encounters a transgender sex worker named Samantha—Sam for short—who notices that Lizzie has a baby. Sam eventually invites the two of them to stay with her until they can get back on their feet. She welcomes Lizzie into her home, with the agreement that Lizzie will cook for her and her other roommate, ZoZo. Eventually, Lizzie learns to be comfortable in her new abode; at the same time, she notices that’s she becoming more and more drawn to Sam, first as a friend and then romantically, despite her uncertainty about Sam’s transgender identity and sex-worker job. The book traces Lizzie and Sam’s budding relationship and explores both of the characters’ feelings about gender and attraction. It also details their respective attempts to tackle their own demons so that they may live independent, successful and flourishing lives. Gareau’s intriguing novel explores some timely, substantial themes, including how the world views and treats transgender people and also how transgender people view and treat themselves. Along the way, it engagingly addresses a range of other issues, including addiction and homelessness. The author also does a particularly good job of illuminating the effects that abuse can have on relationships, both familial and romantic.

Pub Date: N/A

ISBN: 978-0993845635

Page Count: -

Publisher: CreateSpace

Review Posted Online: Dec. 1, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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