Hoover is one of the freshest voices in new-adult fiction, and her latest resonates with true emotion, unforgettable...
Sydney and Ridge make beautiful music together in a love triangle written by Hoover (Losing Hope, 2013, etc.), with a link to a digital soundtrack by American Idol contestant Griffin Peterson.
Hoover is a master at writing scenes from dual perspectives. While music student Sydney is watching her neighbor Ridge play guitar on his balcony across the courtyard, Ridge is watching Sydney’s boyfriend, Hunter, secretly make out with her best friend on her balcony. The two begin a songwriting partnership that grows into something more once Sydney dumps Hunter and decides to crash with Ridge and his two roommates while she gets back on her feet. She finds out after the fact that Ridge already has a long-distance girlfriend, Maggie—and that he's deaf. Ridge’s deafness doesn’t impede their relationship or their music. In fact, it creates opportunities for sexy nonverbal communication and witty text messages: Ridge tenderly washes off a message he wrote on Sydney’s hand in ink, and when Sydney adds a few too many e’s to the word “squee” in her text, Ridge replies, “If those letters really make up a sound, I am so, so glad I can’t hear it.” While they fight their mutual attraction, their hope that “maybe someday” they can be together playfully comes out in their music. Peterson’s eight original songs flesh out Sydney’s lyrics with a good mix of moody musical styles: “Living a Lie” has the drama of a Coldplay piano ballad, while the chorus of “Maybe Someday” marches to the rhythm of the Lumineers. But Ridge’s lingering feelings for Maggie cause heartache for all three of them. Independent Maggie never complains about Ridge’s friendship with Sydney, and it's hard to even want Ridge to leave Maggie when she reveals her devastating secret. But Ridge can’t hide his feelings for Sydney long—and they face their dilemma with refreshing emotional honesty.
Hoover is one of the freshest voices in new-adult fiction, and her latest resonates with true emotion, unforgettable characters and just the right amount of sexual tension.Pub Date: March 18, 2014
ISBN: 978-1-4767-5316-4
Page Count: 384
Publisher: Atria
Review Posted Online: May 6, 2014
A smooth blend of suspense and romance. As ever, the author's trademark effortless style keeps a complex plot moving without...
Megaselling Roberts (River's End, 1999, etc.) goes to Napa Valley for the tale of an Italian-American family wine producers rocked by scandal and a series of murders.
Dynasty head Tereza Giambelli knows that her granddaughter Sophia is the only family member capable of running a multimillion-dollar wine business—and no one contradicts La Signora. It's just as well the lovely young woman is still single: Tereza has plans for her. The matriarch has recently married Eli MacMillan, the American founder of another famous wine company. Eli's grandson Tyler knows everything there is to know about producing wine, from the vineyard to the vat. Ruggedly handsome, intelligent and earthy, he's a perfect match for public-relations whiz Sophia—or so thinks Tereza. The two young people begin to work together; Tyler teaches Sophia the fine art of making wine and making love. But other family members hope to claim their share of the Giambelli fortune, and people start dying mysteriously, including Sophia's good-for-nothing father, Tony Avano. Long divorced from long-suffering Pilar Giambelli, Tony led an opulent, self-indulgent life that provides plenty of murder suspects. He might have been killed by the mob, or a jealous mistress, or his spoiled brother-in-law, Tereza's lazy son, who's produced a passel of brats with his foolish Italian wife in the hopes of making Tereza happy. Everyone has a motive, and nothing is what it seems, Sophia discovers, but Tyler stands by her. Then a bottle of tainted merlot kills a company exec. A tragic mishap caused by poisonous plants growing near the vines? Or deliberate product tampering intended to destroy the company? Sophia and Tyler will need to delve even deeper into the convoluted and sometimes unsavory history of the family and its three-generation business.
A smooth blend of suspense and romance. As ever, the author's trademark effortless style keeps a complex plot moving without a hitch.Pub Date: March 19, 2001
ISBN: 0-399-14712-8
Page Count: 432
Publisher: Putnam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 2001
Pevear's informative introduction and numerous helpful explanatory notes help make this the essential Anna Karenina.
The husband-and-wife team who have given us refreshing English versions of Dostoevsky, Gogol, and Chekhov now present their lucid translation of Tolstoy's panoramic tale of adultery and society: a masterwork that may well be the greatest realistic novel ever written. It's a beautifully structured fiction, which contrasts the aristocratic world of two prominent families with the ideal utopian one dreamed by earnest Konstantin Levin (a virtual self-portrait). The characters of the enchanting Anna (a descendant of Flaubert's Emma Bovary and Fontane's Effi Briest, and forerunner of countless later literary heroines), the lover (Vronsky) who proves worthy of her indiscretion, her bloodless husband Karenin and ingenuous epicurean brother Stiva, among many others, are quite literally unforgettable. Perhaps the greatest virtue of this splendid translation is the skill with which it distinguishes the accents of Anna's romantic egoism from the spare narrative clarity with which a vast spectrum of Russian life is vividly portrayed.
Pevear's informative introduction and numerous helpful explanatory notes help make this the essential Anna Karenina.Pub Date: Feb. 1, 2001
ISBN: 0-670-89478-8
Page Count: 864
Publisher: Viking
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 2001
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