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THE GRASS CROWN

Volume two of McCullough's triumphant Roman series. The First in Rome (1990) initiated the chronicle of the edgy partnership of new-man-in-Rome Gaius Marius and aristocrat Lucius Cornelius Sulla during the German wars. Here, the calamitous last hurrah of one and the violent pinnacle acts of the other twist through years of Italian wars, expeditions into Asia Minor, domestic trials and brief happinesses, terrible cruelties, and politics, always politics, in which sectors, families, and the famous fight for power—by diplomacy, manipulation, alliances, or the simple art of murder. By now (roughly 80's and 90's B.C.) Marius is in his 60s and escaping a ``dull'' Rome to scout Asia Minor and sniff out the purposes of the barbarian king Mithridates of Pontus. The king will be faced down, and, some years later, Sulla, in a spectacular expedition over the Euphrates, will face him down again. Meanwhile, in the Senate there is a movement to enfranchise the sophisticated neighboring Italians, a movement snapped off by an assassination and a polarizing of ruling powers—and, inevitably, there's war. It is the overwhelming victory over one of the Italian tribes that brings Sulla his highest honor (the Grass Crown). Surely he is now equal to the great general Marius, now crippled by a stroke and attended by the boy Gaius Julius Caesar Junior, his wife's nephew. (Yep. The very same.) Marius intends to fulfill an old prophecy- -that he will be elected Consul for a seventh time. The inevitable conflict between Marius and Sulla explodes during an ongoing battle to dilute the power of the Senate elite. There will be a march on an unarmed Rome, screaming grabs for ascendance from an unhinged, dying Marius, and a raving Sulla, plus bloody deaths...and deaths...and deaths. Again, magnificent portraits of real beings. And, again, gamey politics, bright talk, great scenery, and gore. With glossary and maps. (Literary Guild Dual Selection for November)

Pub Date: Oct. 1, 1991

ISBN: 0-688-09369-8

Page Count: 756

Publisher: Morrow/HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 1, 1991

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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