A wonderfully entertaining twist on an old classic.
A story set in the world of Alice’s Adventures in Wonderland, as seen from a very different perspective.
Fifteen-year-old Dinah is the Princess of Hearts, the daughter and heir of the fearsome King of Hearts. But her life isn’t exactly easy: She’s awkward, plump and unattractive, and the butt of jokes from the palace courtiers and even the servants. Her mother died when she was a child, and her father ignores her except to criticize her. Dinah would give anything to win her father’s approval, and when the king unexpectedly summons her, she hopes she’ll have the chance to do so. But to her horror, the king has called an audience to announce to the court that he has an illegitimate daughter named Vittiore, whom he’s brought to the palace to live with the royal family as a duchess. Vittiore’s beauty makes her an instant favorite with the court and the king, which makes Dinah hate her all the more. Dinah swears that she’ll never accept Vittiore as her sister, but she’s the least of the princess’s problems: The king’s adviser, Cheshire, seems to be plotting something; Dinah’s brother Charles, the Mad Hatter, drifts farther from reality as he spends his every waking moment crafting his amazing hats; and Dinah’s best friend and secret love, Wardley, whom she intends to marry someday, doesn’t seem to see her as anything but a friend. The more Dinah digs into the mysteries that surround her, the more sinister secrets she uncovers. Oakes’ latest heroine is spoiled, headstrong, temperamental and prone to tantrums, yet she somehow remains an incredibly sympathetic character. Perhaps it’s Dinah’s oh-so-human nature that makes her so easy to like, despite her flaws. Just as Gregory Maguire’s depiction of the Wicked Witch of the West in Wicked (1995) gave her a background that changed readers’ perspectives, so Oakes’ portrait of the villain-to-be turns her into a real and even likable person while clearly foreshadowing her future as Alice’s Queen of Hearts.
A wonderfully entertaining twist on an old classic.Pub Date: May 6, 2014
ISBN: 978-0-06-240972-0
Page Count: 222
Publisher: HarperTeen
Review Posted Online: Feb. 25, 2014
Kirkus Reviews Issue: April 1, 2014
Review Program: Kirkus Indie
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BOOK REVIEW
BOOK REVIEW
Wrought with admirable skill—the emptiness and menace underlying this Utopia emerge step by inexorable step: a richly...
In a radical departure from her realistic fiction and comic chronicles of Anastasia, Lowry creates a chilling, tightly controlled future society where all controversy, pain, and choice have been expunged, each childhood year has its privileges and responsibilities, and family members are selected for compatibility.
As Jonas approaches the "Ceremony of Twelve," he wonders what his adult "Assignment" will be. Father, a "Nurturer," cares for "newchildren"; Mother works in the "Department of Justice"; but Jonas's admitted talents suggest no particular calling. In the event, he is named "Receiver," to replace an Elder with a unique function: holding the community's memories—painful, troubling, or prone to lead (like love) to disorder; the Elder ("The Giver") now begins to transfer these memories to Jonas. The process is deeply disturbing; for the first time, Jonas learns about ordinary things like color, the sun, snow, and mountains, as well as love, war, and death: the ceremony known as "release" is revealed to be murder. Horrified, Jonas plots escape to "Elsewhere," a step he believes will return the memories to all the people, but his timing is upset by a decision to release a newchild he has come to love. Ill-equipped, Jonas sets out with the baby on a desperate journey whose enigmatic conclusion resonates with allegory: Jonas may be a Christ figure, but the contrasts here with Christian symbols are also intriguing.
Wrought with admirable skill—the emptiness and menace underlying this Utopia emerge step by inexorable step: a richly provocative novel. (Fiction. 12-16)Pub Date: April 1, 1993
ISBN: 978-0-395-64566-6
Page Count: 208
Publisher: Houghton Mifflin
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 1993
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
BOOK REVIEW
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