In some ways reminiscent of playwright O’Neill’s familial Sturm und Drang, this masterfully intense tale of woe and...
A dynamic, many-tendriled drama (on the Booker short list last year) by Irish writer Tóibín (The Story of the Night, 1997, etc.) shapes a complex view of intergenerational conflict at once modern and timeless, as a family assemble on the coast of Ireland to tend to one of their own, a young man losing ground in his struggle with AIDS.
Helen has just packed off the husband and kids for a few days so that she can focus on hiring a teacher, as well as on her other administrative duties, at the end of a school term, when a stranger comes to her door to say that her brother is in the hospital, wanting to see her. Declan hasn’t wanted to tell Helen that he has AIDS, but now, as the disease approaches its ravaging endgame, he needs her to know: what he needs is for Helen to tell their mother and bring her to him. Helen is more estranged from Lily than Declan is, but she does as asked and fetches her mother from work. Declan wants to leave the hospital and go to his grandmother’s house seaside, where he and Helen spent a painful period of their youth while their father was dying from cancer. But he also wants his two closest gay friends to accompany him, and as this volatile mix settles in to the damp old house on a crumbling cliff, remarkable things happen. Worlds apart as they all seem at first, old and young, gay and straight, there are ties that bind them—not least their shared love for Declan—and in this respite from the mundane routines that would otherwise consume each of them, Lily’s own long-unscalable cliffs of detachment begin to crumble, so that at last Helen and her brother can glimpse the mother they once knew and need so desperately now.
In some ways reminiscent of playwright O’Neill’s familial Sturm und Drang, this masterfully intense tale of woe and redemption has much to say about the primal forces that shape us.Pub Date: Aug. 22, 2000
ISBN: 0-684-87389-3
Page Count: 288
Publisher: Scribner
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 2000
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...
Another middle-aged mom in a muddle.
After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).Pub Date: July 1, 2002
ISBN: 0-345-45071-X
Page Count: 352
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2002
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