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NERO

Splendid storytelling about ambition, cruelty, and power.

A sweeping novel of ancient Rome and the early days of Nero.

To borrow a philosopher’s phrase opining on another era, life in ancient Rome was nasty, brutish, and short—and being on top of the heap didn’t seem to help much. In the year 37 CE, the brutal Emperor Tiberius is dying. Agrippina is related to him by marriage and has a young son, Lucius, who will one day become known as Nero. Sit back and enjoy—or cringe at—this bloody tale that is littered with the bodies of the powerful, the ambitious, and the innocent. The story roughly follows Agrippina and her son, Lucius, who carry cruelty in their genes. She, for example, poisons her husband, Italus, a centurion who seems only to have treated her well. When the wretched Tiberius dies, Agrippina’s brother becomes emperor. He is Gaius Julius Caesar, nicknamed Caligula, or Little Boots, and he is “quite mad…as dangerous as any scorpion.” “It was death to touch” Caligula, even to rescue him from a dangerous fall. He exiles his sister on a vague suspicion, but after she eventually returns, she marries his uncle Claudius, who spits on his nephew’s corpse. In time, she and Lucius accompany Claudius on his campaign to conquer Britannia. Then—no spoiler, this—Agrippina tells the lad that one day he’ll be Emperor Nero. The novel seems to follow historical events as accurately as possible, considering the passing of two millennia. “Life was violence,” and so at times was birth, as in one horrific scene with Caligula’s son. The fact that Nero murders his mom will have to wait for a sequel.

Splendid storytelling about ambition, cruelty, and power.

Pub Date: May 24, 2024

ISBN: 9781639366545

Page Count: 400

Publisher: Pegasus

Review Posted Online: April 5, 2024

Kirkus Reviews Issue: May 1, 2024

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THE CALAMITY CLUB

Fans of Stockett’s bestselling debut will love this engaging follow-up.

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Stockett heads to Mississippi for another historical novel about feisty women.

This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.

Fans of Stockett’s bestselling debut will love this engaging follow-up.

Pub Date: May 5, 2026

ISBN: 9781954118812

Page Count: 656

Publisher: Spiegel & Grau

Review Posted Online: Feb. 2, 2026

Kirkus Reviews Issue: March 1, 2026

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THE BOOK CLUB FOR TROUBLESOME WOMEN

A sugarcoated take on midcentury suburbia.

A lively and unabashedly sentimental novel examines the impact of feminism on four upper-middle-class white women in a suburb of Washington, D.C., in 1963.

Transplanted Ohioan Margaret Ryan—married to an accountant, raising three young children, and decidedly at loose ends—decides to recruit a few other housewives to form a book club. She’s thinking A Tree Grows in Brooklyn, but a new friend, artistic Charlotte Gustafson, suggests Betty Friedan’s brand-new The Feminine Mystique. They’re joined by young Bitsy Cobb, who aspired to be a veterinarian but married one instead, and Vivian Buschetti, a former Army nurse now pregnant with her seventh child. The Bettys, as they christen themselves, decide to meet monthly to read feminist books, and with their encouragement of each other, their lives begin to change: Margaret starts writing a column for a women’s magazine; Viv goes back to work as a nurse; Charlotte and Bitsy face up to problems with demanding and philandering husbands and find new careers of their own. The story takes in real-life figures like the Washington Post’s Katharine Graham and touches on many of the tumultuous political events of 1963. Bostwick treats her characters with generosity and a heavy dose of wish-fulfillment, taking satisfying revenge on the wicked and solving longstanding problems with a few well-placed words, even showing empathy for the more well-meaning of the husbands. As historical fiction, the novel is hampered by its rosy optimism, but its take on the many micro- and macroaggressions experienced by women of the era is sound and eye-opening. Although Friedan might raise an eyebrow at the use her book’s been put to, readers will cheer for Bostwick’s spunky characters.

A sugarcoated take on midcentury suburbia.

Pub Date: April 22, 2025

ISBN: 9781400344741

Page Count: 384

Publisher: Harper Muse

Review Posted Online: Feb. 1, 2025

Kirkus Reviews Issue: March 1, 2025

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