Unique, occasionally mesmerizing; loaded with esoteric historical tidbits.

JUBILANT JOURNEYS

Novelist Spenuzza (Lucia Zárate, 2017, etc.), who writes fiction under the pen name Cecilia Velastegui, offers a travel memoir unusually rich in imagery, history, and spirituality.

Spenuzza and her husband, Peter, seem to have been destined to traverse the planet. She was born in Quito, Ecuador, the great-grandniece of the Roman Catholic Cardinal of Ecuador. She was a child of privilege—until her mother divorced her father, against the cardinal’s wishes. Spenuzza was told her mother had left the country. She herself was sequestered in a convent school. In 1962, at the age of 9, she, her brother, and her sister were put, unaccompanied, on a plane to California. This was her first travel adventure, and the excitement she felt then presaged a passion for travel that she and Peter have shared over the subsequent decades. Not just any travel. Fortified with family legends and historical details garnered from the author’s copious research for her historical novels, she, Peter, and their two sons, Pete and Jay-Paul, explored ancient sites around the globe. They searched the Basque region of Spain, seeking out (and finding) the ancestral family home of Ojer de Velástegui, “a member of minor nobility in Guipúzcoa, Spain,” said to be one of her ancestral relatives: “he was among Christopher Columbus’s crew on the historic Pinta sailing of 1492.” Spenuzza’s prose reflects her emotional connections with those who walked the Earth in bygone centuries. In Turkey, for example, she rummaged through the Grand Bazaar for the type of cloths used by the Ottoman sultan’s concubines to keep their skin smooth: “I wanted to feel more than the fibers in the world-renowned Turkish towels: I was hoping to touch the desperation on the concubines’ skin as they shed their old layer and hoped that their newer and softer coating would ensure their sons a cushier future.” At times, however, the text slips into pedagogy, with lengthy lessons in art and history—not as much fun as reading about her adventures at Peru’s Huayna Picchu.

Unique, occasionally mesmerizing; loaded with esoteric historical tidbits.    

Pub Date: N/A

ISBN: N/A

Page Count: 200

Publisher: Libros Publishing

Review Posted Online: Jan. 7, 2019

Kirkus Reviews Issue: Feb. 1, 2019

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If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

THE 48 LAWS OF POWER

The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.

Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

Pub Date: Sept. 1, 1998

ISBN: 0-670-88146-5

Page Count: 430

Publisher: Viking

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 1998

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The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

NIGHT

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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