A raucous, if at times difficult, literary concoction in a bizarre world of radicals.
From debut author Parks comes a disjointed novel about a man named Walter and his paranoid adventures in Seattle.
When readers first meet Walter, he rummages through his mail, finding mostly junk that includes an offer for a magical Soviet Elixir and a chain letter promising a large sum of money. After a letter containing a quote from Nostradamus convinces Walter that he is “being stalked like a little rabbit,” he decides to flee. And what better destination than a “bunker of a building graced under the banner name of the New Museum of Indecision and Hysteria and the We B Art Gallery”? There, he meets Mac, a man who can discuss the Baader-Meinhof gang, quote Gen. George Patton, make quick work of a punching bag, and cool himself off with a beer after the effort. Casting his lot with Mac, Walter finds himself involved in the Seattle underworld, complete with drugs—“It’s all about the democratization of cocaine, don’t you see?” Mac says—weapons, and an assortment of left-wing ideas: “the power of the workers is not rooted in organization, but in disruption,” one character comments. As increasingly strange characters and events are added to this simmering pot of madness, how it will all end is anyone’s guess, particularly in later chapters when the World Trade Organization sets upon Seattle. As thoroughly wacky as this Pynchon-esque plot may seem, nestled among a quote from “John Hinkley” (sic) and a crude illustration of an art gallery is a reasonably discernable, consistently wild story about Walter and his quest. This is by no means a light read: while not untraceable, the narrative adeptly challenges readers with an assortment of historical references and twists, and certain portions may require rereading to ascertain just what exactly is going on.
A raucous, if at times difficult, literary concoction in a bizarre world of radicals.Pub Date: N/A
ISBN: 978-0-9975163-0-2
Page Count: 158
Publisher: Brave Dog/Dead Dog Artworks
Review Posted Online: Oct. 8, 2015
Kirkus Reviews Issue: Nov. 15, 2015
Review Program: Kirkus Indie
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
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