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Empty Bottle of Smoke

A raucous, if at times difficult, literary concoction in a bizarre world of radicals.

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From debut author Parks comes a disjointed novel about a man named Walter and his paranoid adventures in Seattle.

When readers first meet Walter, he rummages through his mail, finding mostly junk that includes an offer for a magical Soviet Elixir and a chain letter promising a large sum of money. After a letter containing a quote from Nostradamus convinces Walter that he is “being stalked like a little rabbit,” he decides to flee. And what better destination than a “bunker of a building graced under the banner name of the New Museum of Indecision and Hysteria and the We B Art Gallery”? There, he meets Mac, a man who can discuss the Baader-Meinhof gang, quote Gen. George Patton, make quick work of a punching bag, and cool himself off with a beer after the effort. Casting his lot with Mac, Walter finds himself involved in the Seattle underworld, complete with drugs—“It’s all about the democratization of cocaine, don’t you see?” Mac says—weapons, and an assortment of left-wing ideas: “the power of the workers is not rooted in organization, but in disruption,” one character comments. As increasingly strange characters and events are added to this simmering pot of madness, how it will all end is anyone’s guess, particularly in later chapters when the World Trade Organization sets upon Seattle. As thoroughly wacky as this Pynchon-esque plot may seem, nestled among a quote from “John Hinkley” (sic) and a crude illustration of an art gallery is a reasonably discernable, consistently wild story about Walter and his quest. This is by no means a light read: while not untraceable, the narrative adeptly challenges readers with an assortment of historical references and twists, and certain portions may require rereading to ascertain just what exactly is going on.

A raucous, if at times difficult, literary concoction in a bizarre world of radicals. 

Pub Date: N/A

ISBN: 978-0-9975163-0-2

Page Count: 158

Publisher: Brave Dog/Dead Dog Artworks

Review Posted Online: Oct. 8, 2015

Kirkus Reviews Issue: Nov. 15, 2015

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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