Bowman is a robust storyteller, and he keeps us hooked, but a last-minute revelation, recasting the killer’s identity,...
Love conquers all. That evergreen sentiment lights up this short novel, the first U.S. publication for its Irish author.
A knife flashes and a boy is cut in the opening sentence. It’s a minor injury in a children’s scuffle, but also a portent of the violence ahead. The setting is Gigondas, a village in a wine-making region of Provence. Most of the action takes place in the summer of 1920, when the fight victim, Christian Aragon, the lead and narrator, is almost 17 and about to graduate from high school. It’s only two years since the end of the Great War, in which Christian’s older brother Eugene was killed. Their father, the bullying, egotistical Robert, had expected Eugene to succeed him as a wine-maker, the family business for two centuries. Now that duty falls to Christian, but he’s resisting; he intends to make his own way in life. (His timid mother stands apart from the struggle.) Life at the chateau since Eugene’s death has become an empty ritual. School is more inviting, for Christian has fallen in love with his beautiful 24-year-old geography teacher Vivienne Pleyden, who lives alone since her brutally abusive husband disappeared, to dodge the draft. Christian’s love for her is innocent, passionate and unconditional. Vivienne reciprocates it, as he discovers on an officially sanctioned school trip to Avignon. He loses his virginity to her in the confessional box of a church. What might have been messy and mawkish is redeemed by Bowman’s fresh, invigorating prose. Back in Gigondas, everything changes. There’s a murder, a crime of passion, followed by a courtroom drama and its lengthy aftermath. From the rhythms of a coming-of-age story, with its incremental discoveries, we are plunged into a maelstrom.
Bowman is a robust storyteller, and he keeps us hooked, but a last-minute revelation, recasting the killer’s identity, undercuts what had been the novel’s greatest appeal, its forthrightness.Pub Date: Aug. 1, 2010
ISBN: 978-1-57962-203-9
Page Count: 168
Publisher: Permanent Press
Review Posted Online: May 21, 2010
Kirkus Reviews Issue: June 15, 2010
BOOK REVIEW
BOOK REVIEW
This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.
Pub Date: June 1, 1985
ISBN: 068487122X
Page Count: 872
Publisher: Simon & Schuster
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: May 15, 1985
IN THE NEWS
SEEN & HEARD
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...
Another middle-aged mom in a muddle.
After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).Pub Date: July 1, 2002
ISBN: 0-345-45071-X
Page Count: 352
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2002
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