by Coralie Saudo ; illustrated by Kris Di Giacomo ; translated by Claudia Zoe Bedrick & Kris Di Giacomo ‧ RELEASE DATE: May 7, 2016
A tongue-in-cheek masterpiece echoing most parents’ outings with small children.
A young boy narrates a trip to the zoo with Dad, but who’s the kid and who’s the adult?
Readers get their first clue that this isn’t a standard parent-child picture book on the opening spread. No people are visible, but a Victrola’s horn sneaks through a door, startling the dog (and maybe readers) with a blaring: “everybody up! I want to go to the ZOO!” From then, it’s constant motion, the father doing his best galloping-camel imitation all the way to the zoo, his still-sleepy (and pajama-clad) son hanging on for dear life. By the third spread, readers will know that the roles of father and child are reversed. The longer the two wait in line for tickets, “the more ideas [Dad] has about how to cut the line.” Dad races around the enclosures with the boy lagging behind before having a meltdown over ice cream; these behaviors—and the child’s desperate attempts to distract Dad—will be quite familiar (and hysterical) to parents of small children. There’s even the final, most terrible ordeal: the gift shop! “The galloping camel has turned into a sluggish snail. And me? I’m wiped out.” Di Giacomo’s naively done illustrations in muted earth tones are quite unlike what’s normally found in bright, splashy picture books, but they fit this one perfectly, playing up the humor of a Dad who just can’t be still.
A tongue-in-cheek masterpiece echoing most parents’ outings with small children. (Picture book. 4-8)Pub Date: May 7, 2016
ISBN: 978-1-59270-190-2
Page Count: 32
Publisher: Enchanted Lion Books
Review Posted Online: March 15, 2016
Kirkus Reviews Issue: April 1, 2016
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More by Coralie Saudo
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by Coralie Saudo & illustrated by Kris Di Giacomo
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by Géraldine Collet & illustrated by Coralie Saudo & translated by Sarah Quinn
by Gregory R. Lange ; illustrated by Sydney Hanson ‧ RELEASE DATE: May 1, 2019
New parents of daughters will eat these up and perhaps pass on the lessons learned.
All the reasons why a daughter needs a mother.
Each spread features an adorable cartoon animal parent-child pair on the recto opposite a rhyming verse: “I’ll always support you in giving your all / in every endeavor, the big and the small, / and be there to catch you in case you should fall. / I hope you believe this is true.” A virtually identical book, Why a Daughter Needs a Dad, publishes simultaneously. Both address standing up for yourself and your values, laughing to ease troubles, being thankful, valuing friendship, persevering and dreaming big, being truthful, thinking through decisions, and being open to differences, among other topics. Though the sentiments/life lessons here and in the companion title are heartfelt and important, there are much better ways to deliver them. These books are likely to go right over children’s heads and developmental levels (especially with the rather advanced vocabulary); their parents are the more likely audience, and for them, the books provide some coaching in what kids need to hear. The two books are largely interchangeable, especially since there are so few references to mom or dad, but one spread in each book reverts to stereotype: Dad balances the two-wheeler, and mom helps with clothing and hair styles. Since the books are separate, it aids in customization for many families.
New parents of daughters will eat these up and perhaps pass on the lessons learned. (Picture book. 4-8, adult)Pub Date: May 1, 2019
ISBN: 978-1-4926-6781-0
Page Count: 32
Publisher: Sourcebooks Jabberwocky
Review Posted Online: March 16, 2019
Kirkus Reviews Issue: April 1, 2019
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by Meg Medina ; illustrated by Angela Dominguez ‧ RELEASE DATE: Aug. 25, 2015
This warm family story is a splendid showcase for the combined talents of Medina, a Pura Belpré award winner, and Dominguez,...
Abuela is coming to stay with Mia and her parents. But how will they communicate if Mia speaks little Spanish and Abuela, little English? Could it be that a parrot named Mango is the solution?
The measured, evocative text describes how Mia’s español is not good enough to tell Abuela the things a grandmother should know. And Abuela’s English is too poquito to tell Mia all the stories a granddaughter wants to hear. Mia sets out to teach her Abuela English. A red feather Abuela has brought with her to remind her of a wild parrot that roosted in her mango trees back home gives Mia an idea. She and her mother buy a parrot they name Mango. And as Abuela and Mia teach Mango, and each other, to speak both Spanish and English, their “mouths [fill] with things to say.” The accompanying illustrations are charmingly executed in ink, gouache, and marker, “with a sprinkling of digital magic.” They depict a cheery urban neighborhood and a comfortable, small apartment. Readers from multigenerational immigrant families will recognize the all-too-familiar language barrier. They will also cheer for the warm and loving relationship between Abuela and Mia, which is evident in both text and illustrations even as the characters struggle to understand each other. A Spanish-language edition, Mango, Abuela, y yo, gracefully translated by Teresa Mlawer, publishes simultaneously.
This warm family story is a splendid showcase for the combined talents of Medina, a Pura Belpré award winner, and Dominguez, an honoree. (Picture book. 4-7)Pub Date: Aug. 25, 2015
ISBN: 978-0-7636-6900-3
Page Count: 32
Publisher: Candlewick
Review Posted Online: April 14, 2015
Kirkus Reviews Issue: May 1, 2015
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by Meg Medina ; illustrated by Anna Balbusso & Elena Balbusso
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by Meg Medina ; illustrated by Brittany Cicchese
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by Meg Medina ; adapted by Mel Valentine Vargas ; illustrated by Mel Valentine Vargas ; color by Mary Lee Fenner
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