A touching memoir from an important figure in the civil rights movement.
A posthumous memoir by Martin Luther King Jr.’s widow, told via a journalist, minister, and longtime friend.
In an afterward, Reynolds, a journalist and friend to Coretta Scott King (1927-2006) and a former USA Today editorial board member, offers the “making of her memoir,” which required many recorded interviews since her first article about King for the Chicago Tribune in 1975, with their formal contract signed in 1997. Overall, the tone is as gracious, elegant, and soft-spoken as the legendary Southern lady and concert singer, who was born in the deeply segregated town of Heiberger, Alabama, where her black family was regularly terrorized by whites, including the burning of her house when she was 15 years old. Resilient and fearless due to the example of her harassed father, King was inculcated in the Mount Tabor AME Zion church, where her grandfathers were leaders. Attending the Lincoln missionary school, she found her “escape route” from the South in multicultural Antioch College (Ohio), then followed her passion for classical music to the New England Conservatory, in Boston, where she met the “too short” and unprepossessing minister from Atlanta, MLK Jr. Coretta wanted to be a concert singer and live comfortably in the North, while Martin wanted her to be his wife and have children and move to Montgomery to fight desegregation with nonviolence. Eventually, she came around to embrace his ideals. While her memoir is very much her own journey, it is also about her collaboration with her husband, and she insists they both had a calling by God: “God appeared to have appointed Martin and me…to become the messengers.” The author does not countenance rumors that her husband was unfaithful, insisting that the FBI planted evidence as a smear campaign. In the end, her four children and her “fifth child,” the Martin Luther King Jr. Center for Nonviolent Social Change, in Atlanta, remain her greatest legacies.
A touching memoir from an important figure in the civil rights movement.Pub Date: Jan. 17, 2017
ISBN: 978-1-62779-598-2
Page Count: 368
Publisher: Henry Holt
Review Posted Online: Nov. 8, 2016
Kirkus Reviews Issue: Nov. 15, 2016
BOOK REVIEW
The book begins in Sri Lanka with the tsunami of 2004—a horror the author saw firsthand, and the aftermath of which he...
The latest from French writer/filmmaker Carrère (My Life as a Russian Novel, 2010, etc.) is an awkward but intermittently touching hybrid of novel and autobiography.
The book begins in Sri Lanka with the tsunami of 2004—a horror the author saw firsthand, and the aftermath of which he describes powerfully. Carrère and his partner, Hélène, then return to Paris—and do so with a mutual devotion that's been renewed and deepened by all they've witnessed. Back in France, Hélène's sister Juliette, a magistrate and mother of three small daughters, has suffered a recurrence of the cancer that crippled her in adolescence. After her death, Carrère decides to write an oblique tribute and an investigation into the ravages of grief. He focuses first on Juliette's colleague and intimate friend Étienne, himself an amputee and survivor of childhood cancer, and a man in whose talkativeness and strength Carrère sees parallels to himself ("He liked to talk about himself. It's my way, he said, of talking to and about others, and he remarked astutely that it was my way, too”). Étienne is a perceptive, dignified person and a loyal, loving friend, and Carrère's portrait of him—including an unexpectedly fascinating foray into Étienne and Juliette's chief professional accomplishment, which was to tap the new European courts for help in overturning longtime French precedents that advantaged credit-card companies over small borrowers—is impressive. Less successful is Carrère's account of Juliette's widower, Patrice, an unworldly cartoonist whom he admires for his fortitude but seems to consider something of a simpleton. Now and again, especially in the Étienne sections, Carrère's meditations pay off in fresh, pungent insights, and his account of Juliette's last days and of the aftermath (especially for her daughters) is quietly harrowing.Pub Date: Sept. 13, 2011
ISBN: 978-0-8050-9261-5
Page Count: 256
Publisher: Metropolitan/Henry Holt
Review Posted Online: Aug. 10, 2011
Kirkus Reviews Issue: Sept. 1, 2011
A potent depiction of grief, but also a book lacking the originality and acerbic prose that distinguished Didion’s earlier...
A moving record of Didion’s effort to survive the death of her husband and the near-fatal illness of her only daughter.
In late December 2003, Didion (Where I Was From, 2003, etc.) saw her daughter, Quintana Roo Dunne, hospitalized with a severe case of pneumonia, the lingering effects of which would threaten the young woman’s life for several months to come. As her daughter struggled in a New York ICU, Didion’s husband, John Gregory Dunne, suffered a massive heart attack and died on the night of December 30, 2003. For 40 years, Didion and Dunne shared their lives and work in a marriage of remarkable intimacy and endurance. In the wake of Dunne’s death, Didion found herself unable to accept her loss. By “magical thinking,” Didion refers to the ruses of self-deception through which the bereaved seek to shield themselves from grief—being unwilling, for example, to donate a dead husband’s clothes because of the tacit awareness that it would mean acknowledging his final departure. As a poignant and ultimately doomed effort to deny reality through fiction, that magical thinking has much in common with the delusions Didion has chronicled in her several previous collections of essays. But perhaps because it is a work of such intense personal emotion, this memoir lacks the mordant bite of her earlier work. In the classics Slouching Toward Bethlehem (1968) and The White Album (1979), Didion linked her personal anxieties to her withering dissection of a misguided culture prey to its own self-gratifying fantasies. This latest work concentrates almost entirely on the author’s personal suffering and confusion—even her husband and daughter make but fleeting appearances—without connecting them to the larger public delusions that have been her special terrain.
A potent depiction of grief, but also a book lacking the originality and acerbic prose that distinguished Didion’s earlier writing.Pub Date: Oct. 19, 2005
ISBN: 1-4000-4314-X
Page Count: 192
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 2005
IN THE NEWS
PERSPECTIVES
SEEN & HEARD
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
