A cuddly, reassuring holiday tale.
Bunny searches for the perfect Christmas tree.
For her, perfect means one that’s “just her size.” Her friends’ ideas of perfection match their physical characteristics. Squirrel suggests a tree that, like his tail, is bushy; Mole believes that a Christmas tree’s top should be pointed, like her nose; vibrantly red Cardinal mentions color—the “greenest green”—as the singular attribute; and Skunk thinks that aroma is key: It “should smell like Christmas.” Each pal also guides Bunny to the best place to locate her tree. Bunny finds trees that are almost perfect but not quite. Deer posits that “maybe there isn’t a perfect tree,” or, perhaps, Bunny reflects, she hasn’t found it yet, and she starts to return home. Suddenly, she spies a tree she had previously overlooked but that meets physical specifications. Bunny realizes she hasn’t the heart to cut it down. Her friends appear on the scene and help her decorate the tree with the garlands she’d previously gathered; they sing carols, and Bunny understands why she’s found the perfect tree after all. This sweet, delightful story brims with messages of holiday warmth, cooperation, and friendship. Charming, vividly colored illustrations set a lovely holiday tone, with bright green trees highlighting wintry scenes of glistening white. Toward the end, blue-black skies are highlighted by puffs of falling snow, and the endearing animal characters are gaily dressed for winter. (This book was reviewed digitally.)
A cuddly, reassuring holiday tale. (Picture book. 3-6)Pub Date: Oct. 4, 2022
ISBN: 978-1-951836-42-9
Page Count: 32
Publisher: Cameron Kids
Review Posted Online: Aug. 16, 2022
Kirkus Reviews Issue: Sept. 1, 2022
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Safe to creep on by.
Carle’s famous caterpillar expresses its love.
In three sentences that stretch out over most of the book’s 32 pages, the (here, at least) not-so-ravenous larva first describes the object of its love, then describes how that loved one makes it feel before concluding, “That’s why… / I[heart]U.” There is little original in either visual or textual content, much of it mined from The Very Hungry Caterpillar. “You are… / …so sweet,” proclaims the caterpillar as it crawls through the hole it’s munched in a strawberry; “…the cherry on my cake,” it says as it perches on the familiar square of chocolate cake; “…the apple of my eye,” it announces as it emerges from an apple. Images familiar from other works join the smiling sun that shone down on the caterpillar as it delivers assurances that “you make… / …the sun shine brighter / …the stars sparkle,” and so on. The book is small, only 7 inches high and 5 ¾ inches across when closed—probably not coincidentally about the size of a greeting card. While generations of children have grown up with the ravenous caterpillar, this collection of Carle imagery and platitudinous sentiment has little of his classic’s charm. The melding of Carle’s caterpillar with Robert Indiana’s iconic LOVE on the book’s cover, alas, draws further attention to its derivative nature.
Safe to creep on by. (Picture book. 3-6)Pub Date: Dec. 15, 2015
ISBN: 978-0-448-48932-2
Page Count: 32
Publisher: Grosset & Dunlap
Review Posted Online: Feb. 1, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
As ephemeral as a valentine.
Daywalt and Jeffers’ wandering crayons explore love.
Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.
As ephemeral as a valentine. (Picture book. 4-6)Pub Date: Dec. 24, 2019
ISBN: 978-1-5247-9268-8
Page Count: 32
Publisher: Penguin Workshop
Review Posted Online: Feb. 1, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
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