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THE PASSENGER

Enigmatic, elegant, extraordinary: a welcome return after a too-long absence.

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A beguiling, surpassingly strange novel by the renowned—and decidedly idiosyncratic—author of Blood Meridian (1982) and The Road (2006).

“He’s in love with his sister and she’s dead.” He is Bobby Western, as described by college friend and counterfeiter John Sheddan. Western doesn’t much like the murky depths, but he’s taken a job as a salvage diver in the waters around New Orleans, where all kinds of strange things lie below the surface—including, at the beginning of McCarthy’s looping saga, an airplane complete with nine bloated bodies: “The people sitting in their seats, their hair floating. Their mouths open, their eyes devoid of speculation.” Ah, but there were supposed to be 10 aboard, and now mysterious agents are after Western, sure that he spirited away the 10th—or, failing that, some undisclosed treasure within the aircraft. Bobby is a mathematical genius, though less so than his sister, whom readers will learn more about in the companion novel, Stella Maris. Alicia, in the last year of her life, is in a distant asylum, while Western is evading those agents and pondering not just mathematical conundrums, but also a tortured personal history as the child of an atomic scientist who worked at Oak Ridge to build the bombs that destroyed Hiroshima and Nagasaki. It’s all vintage McCarthy, if less bloody than much of his work: Having logged time among scientists as a trustee at the Santa Fe Institute, he’s now more interested in darting quarks than exploding heads. Still, plenty of his trademark themes and techniques are in evidence, from conspiracy theories (Robert Kennedy had JFK killed?) and shocking behavior (incest being just one category) to flights of beautiful language, as with Bobby's closing valediction: “He knew that on the day of his death he would see her face and he could hope to carry that beauty into the darkness with him, the last pagan on earth, singing softly upon his pallet in an unknown tongue.”

Enigmatic, elegant, extraordinary: a welcome return after a too-long absence.

Pub Date: Oct. 25, 2022

ISBN: 978-0-307-26899-0

Page Count: 400

Publisher: Knopf

Review Posted Online: Aug. 1, 2022

Kirkus Reviews Issue: Aug. 15, 2022

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MIND GAMES

A touching story of love and grief ends in an epic battle of good versus evil.

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Roberts’ latest may move you to tears, or joy, or dread, or all three.

Every summer, John and Cora Fox visit Cora’s mother, Lucy Lannigan, in Redbud Hollow, Kentucky, leaving their children, 12-year-old Thea and 10-year-old Rem, for a two-week taste of heaven. The children love Grammie Lucy far more than John’s snooty family, which looks down on Cora. Lucy, a healer with deep Appalachian roots, loves animals, cooks the best meals, plays musical instruments, and makes soap and candles for her thriving business. Thea—who’s inherited the psychic abilities passed down through the women of Lucy’s family—has vivid magical dreams, one of which becomes a living nightmare when a psychopath robs and murders John and Cora as Thea watches helplessly. Thea’s description of the killer and her ability to see him in real time help the skeptical police catch Ray Riggs, who goes to prison for life. Although Thea and Rem go on to have a wonderful childhood with Grammie, Thea constantly wages a mental battle with Riggs, who tries to use his own psychic abilities to get into her mind. Over the years, Thea uses her imagination to become a game designer while the more business-minded Rem helps manage her career. Thea eventually builds a house near Lucy, where a newly arrived neighbor is her teen crush, singer-songwriter Tyler Brennan. Tyler has his own issues and is protective of his young son but slowly builds a loving relationship with Thea, whose silence about her abilities leads to a devastating misunderstanding. At first Thea tries to keep Riggs locked out of her mind. As her powers grow, she torments him. Finally, she realizes that she must win this battle and destroy him if she’s ever to have peace.

A touching story of love and grief ends in an epic battle of good versus evil.

Pub Date: May 21, 2024

ISBN: 9781250289698

Page Count: 432

Publisher: St. Martin's

Review Posted Online: March 23, 2024

Kirkus Reviews Issue: April 15, 2024

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THE WOMAN IN CABIN 10

Too much drama at the end detracts from a finely wrought and subtle conundrum.

Ware (In A Dark, Dark Wood, 2015) offers up a classic “paranoid woman” story with a modern twist in this tense, claustrophobic mystery.

Days before departing on a luxury cruise for work, travel journalist Lo Blacklock is the victim of a break-in. Though unharmed, she ends up locked in her own room for several hours before escaping; as a result, she is unable to sleep. By the time she comes onboard the Aurora, Lo is suffering from severe sleep deprivation and possibly even PTSD, so when she hears a big splash from the cabin next door in the middle of the night, “the kind of splash made by a body hitting water,” she can’t prove to security that anything violent has actually occurred. To make matters stranger, there's no record of any passenger traveling in the cabin next to Lo’s, even though Lo herself saw a woman there and even borrowed makeup from her before the first night’s dinner party. Reeling from her own trauma, and faced with proof that she may have been hallucinating, Lo continues to investigate, aided by her ex-boyfriend Ben (who's also writing about the cruise), fighting desperately to find any shred of evidence that she may be right. The cast of characters, their conversations, and the luxurious but confining setting all echo classic Agatha Christie; in fact, the structure of the mystery itself is an old one: a woman insists murder has occurred, everyone else says she’s crazy. But Lo is no wallflower; she is a strong and determined modern heroine who refuses to doubt the evidence of her own instincts. Despite this successful formula, and a whole lot of slowly unraveling tension, the end is somehow unsatisfying. And the newspaper and social media inserts add little depth.

Too much drama at the end detracts from a finely wrought and subtle conundrum.

Pub Date: July 19, 2016

ISBN: 978-1-5011-3293-3

Page Count: 352

Publisher: Scout Press/Simon & Schuster

Review Posted Online: May 2, 2016

Kirkus Reviews Issue: May 15, 2016

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