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BUTTERFLY IN THE TYPEWRITER

THE TRAGIC LIFE OF JOHN KENNEDY TOOLE AND THE REMARKABLE STORY OF A CONFEDERACY OF DUNCES

A valuable biography, albeit lacking in Confederacy’s lively spirit.

A brief study of the too-brief life of John Kennedy Toole (1937–1969), author of the classic comic novel A Confederacy of Dunces.

Odd as it might be to say about a novelist who was unpublished in his lifetime and who killed himself at 31, Toole led something of a charmed life. The New Orleans native was an academic success, skipping two grades as a child and earning top marks studying literature at Tulane and Columbia. Later, his students at Hunter College and Dominican College would recall him as a charming and engaging teacher. An easy Army stint gave him plenty of free time, and in 1963 he began writing A Confederacy of Dunces, a brilliant picaresque novel set in his hometown. He hit the literary jackpot when the manuscript caught the admiring attention of editor Robert Gottlieb, who shepherded Catch-22 and other classics in the 1960s. But Gottlieb’s demands for revisions demoralized Toole, and after giving up on the book he slipped into a mental decline that concluded in 1969 on a Mississippi roadside, where he asphyxiated himself on his car’s exhaust fumes. MacLauchlin (English/Germanna Community Coll.) delivers this story in prose that never rises above workmanlike, but he cleanly lays out the brief life of his subject and his work’s unlikely afterlife: Thanks to his mother’s dogged efforts, Confederacy found an advocate in novelist Walker Percy, and the book became a sensation when it was published in 1980, winning the Pulitzer Prize. MacLauchlin is careful not to stray far from the documented record, and he criticizes a previous biography, Ignatius Rising (2001), for indulging in speculation about Toole’s alcoholism and sexual orientation. But apart from identifying friends and colleagues who were likely models for Confederacy’s characters, MacLauchlin engages little with the novel itself, which diminishes a sense of Toole’s accomplishment and his ongoing influence on comic novelists today.

A valuable biography, albeit lacking in Confederacy’s lively spirit.

Pub Date: April 1, 2012

ISBN: 978-0-306-82040-3

Page Count: 320

Publisher: Da Capo

Review Posted Online: March 4, 2012

Kirkus Reviews Issue: March 15, 2012

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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