A shaggy travel memoir with amusing recollections and occasional nuggets of wisdom.
In this memoir, Mortensen chronicles his trek from California through Central and South America.
Picking up where he left off in his debut travel memoir, The Buddha and the Bee: Biking Through America’s Forgotten Roadways on an Accidental Journey of Discovery (2020), the author continues his destinationless journey, setting his sights on South America. After leaving the bike he traveled with in the previous book, Mortensen headed to Mexico because “something was pulling me to continue south.” Such statements are indicative of the author’s travel planning; when he has a feeling or desire, he follows it. His feelings guide him through Central America to South America, where he hitchhikes and takes buses, trains, and planes around the continent. Mortensen is adept at meeting fellow wanderers, linking up with strangers and traveling with them if their desires align. One such stranger was Hans, a man from Holland who invited the author on an impromptu hike in Argentina—the Sierra Valdivieso Circuit. According to Hans, the hike was “twenty-eight miles long with 6300’ of elevation gain,” and should have taken three days. The ensuing misadventure is one of many times throughout the memoir in which Mortensen’s wry prose style adds levity to what could have been a more harrowing story if written by someone more self-important. Instead, he writes almost anti-seriously, inviting readers to see that his wanderings are intentionally aimless—the author even sardonically refers to himself throughout the book as “your hero.” This affectation could feel twee, but Mortensen’s unpolished reflections obviate any archness (the memoir’s friendly accessibility is one of its most prominent features). The author keeps his reflections short, even when waxing poetically about some destination or history, such as his discussion of the balsas he encounters in Copacabana, Bolivia. Occasionally, Mortensen’s sardonicism can become overbearing, especially when he makes broad generalizations and assumptions about groups of people. Still, the book fulfills his stated purpose: “I hope this book guides in some way but this is not a guidebook.”
A shaggy travel memoir with amusing recollections and occasional nuggets of wisdom.Pub Date: Sept. 15, 2020
ISBN: 9781735498188
Page Count: 317
Publisher: White Condor
Review Posted Online: April 25, 2024
Kirkus Reviews Issue: June 15, 2024
Review Program: Kirkus Indie
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
Not so deep, but a delightful tip of the hat to the pleasures—and power—of glamour.
A coffee-table book celebrates Michelle Obama’s sense of fashion.
Illustrated with hundreds of full-color photographs, Obama’s chatty latest book begins with some school portraits from the author’s childhood in Chicago and fond memories of back-to-school shopping at Sears, then jumps into the intricacies of clothing oneself as the spouse of a presidential candidate and as the first lady. “People looked forward to the outfits, and once I got their attention, they listened to what I had to say. This is the soft power of fashion,” she says. Obama is grateful and frank about all the help she got along the way, and the volume includes a long section written by her primary wardrobe stylist, Koop—28 years old when she first took the job—and shorter sections by makeup artists and several hair stylists, who worked with wigs and hair extensions as Obama transitioned back to her natural hair, and grew out her bangs, at the end of her husband’s second term. Many of the designers of the author’s gowns, notably Jason Wu, who designed several of her more striking outfits, also contribute appreciative memories. Besides candid and more formal photographs, the volume features many sketches of her gowns by their designers, closeups on details of those gowns, and magazine covers from Better Homes & Gardens to Vogue. The author writes that as a Black woman, “I was under a particularly white-hot glare, constantly appraised for whether my outfits were ‘acceptable’ and ‘appropriate,’ the color of my skin somehow inviting even more judgment than the color of my dresses.” Overall, though, this is generally a canny, upbeat volume, with little in the way of surprising revelations.
Not so deep, but a delightful tip of the hat to the pleasures—and power—of glamour.Pub Date: Nov. 4, 2025
ISBN: 9780593800706
Page Count: 304
Publisher: Crown
Review Posted Online: Nov. 7, 2025
Kirkus Reviews Issue: Jan. 1, 2026
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