A focused, impressively nuanced tale about teenagers, drugs, lies, and the terror of hidden enemies.
A queer high school student ponders the tragedies engulfing his young life and small town.
Lincoln, Arizona, is the setting for Wolfe’s contemporary slice of LGBTQ+ suspense fiction. “Token gay” Tyler Tuckerman struggles to survive beneath the weight of bullying from football jocks, the pressure of being young and out in high school, and a rash of teen suicides. September is sweltering in the gossipy town, which only makes things more dramatic at a funeral for the latest teen suicide, a tragic death following on the heels of those of two other kids who killed themselves on graduation night months earlier. Meanwhile, new student Nicole Clark arrives and immediately gravitates toward Tyler, who appreciates her friendship. Though a fresh face in town, Nicole is still traumatized by her mother’s death from cancer and the fact that her father is the new county sheriff. An avid photographer, Tyler regularly records the Lincoln High football games but must ride the bus to the events with the hypermasculine jocks, an activity he finds “kind of hot. Almost like being in a locker room, but the harassing side is a bitch.” What saves his sanity are memories of a forbidden love with William Ackhurst at summer camp, but he remains obsessed with the boy’s devastating suicide. Narrative duties are split between Tyler and mental health counselor Jennifer Hall, newly arrived from Phoenix and commissioned by the town to assess the serial teen suicides at Lincoln High. She instantly gels with Nicole’s father, and the two band together to look into the particulars of Lincoln’s sudden young deaths. She begins with online investigations and student interviews to forge partnerships between herself and the most at-risk school kids to gauge which students could be next to inexplicably lose hope and want to end their lives.
In this potent tale, vivid details emerge about online chat room participants who target gay students and encourage violent behavior against them at the school—along with specifics about a sinister drug cult. Jennifer also discovers the last boy to die was using mood-altering drugs and tranquilizers that match the toxicology scans of the other victims. When Tyler and Nicole are exposed to heavy drugs at a party and another student winds up dead, Jennifer must spring into action to apprehend the killer. The culprit may be much closer to Tyler than the young protagonist ever imagined. While the plot is drawn from relevant headlines and speeds along with a snappy momentum, Wolfe’s talent is in his crisp characterizations that pepper the story, from the lunch lady with a penchant for sneaking an afternoon cocktail to bullies like Jason Brophy who foment aggression and trouble at school. Gay readers will find Tyler’s openness about his sexuality refreshing, but a plot twist in the book’s final third turns the tables on everyone involved. In an economy of pages, this story manages to skillfully reflect on high school identity and self-discovery in the midst of bullying, confusing sexual awakenings, temptation, and angst from all directions. But the intricate novel is also about suicide and murder in their cruelest forms.
A focused, impressively nuanced tale about teenagers, drugs, lies, and the terror of hidden enemies.Pub Date: Nov. 28, 2020
ISBN: 978-0-578-75048-4
Page Count: 187
Publisher: Manuscript
Review Posted Online: Aug. 12, 2020
Kirkus Reviews Issue: Sept. 15, 2020
Review Program: Kirkus Indie
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
A classic Green portrait of young love…but here the fault is in our social media.
A relationship between young screen actors is magical, fraught, and relentlessly public in Green’s first novel for adults.
“Every movie romance needs an Obstacle, a reason the characters don’t naturally fall into each other.” In the off-screen romance between actors Juniper Castillo and Kai Laramie, the obstacle is a moving target. Juniper notices early on that as flirty and forward as Kai is, he seems “closed off to a romantic connection”; that turns out to be the tip of a very problematic iceberg. The two meet in the lobby of a Pittsburgh hotel where they will be spending the evening with Matthew Malone, the megastar playing Andy Warhol in a movie they’re about to begin shooting, Andy Warhol Never Gets Old. Kai has been cast as Andy’s intern, Juniper as a journalist who gets in over her head. This is Juniper’s first adult role after a long run as a Nickelodeon child star, and newcomer Kai’s first role of any kind. Green evokes in compelling detail all the phases and aspects of the film project, from the table read to the screening of the rough cut, from the social media fanfare to the public premiere and the press junket, moving back and forth between Juniper’s and Kai’s first-person perspectives. In a meeting with one of the ubiquitous publicists, Kai learns that somehow “the high school stuff” he never talks about—despite their growing inseparability and seemingly profound connection, he hasn’t even brought himself to share it with Juniper—has surfaced. Details emerge slowly, then blow up in the media; the book’s third act focuses on the destructive potential of celebrity culture in a climate that makes Warhol’s milieu look innocent by comparison. After a long break from writing fiction—his last two books were Everything Is Tuberculosis (2025) and The Anthropocene Reviewed (2021)—Green fills this novel with carefully observed details of Hollywood culture and characters, including running jokes about vegan cuisine, media training, and the way Kai’s agent constantly and boorishly consults his young female assistant on points of political correctness. Can he talk about “hot girls”? Can he quote T.S. Eliot? OK to say “dog vomit”?
A classic Green portrait of young love…but here the fault is in our social media.Pub Date: Sept. 22, 2026
ISBN: 9780525426073
Page Count: 304
Publisher: Dutton
Review Posted Online: Sept. 4, 2026
Kirkus Reviews Issue: yesterday
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
