An engrossing and disconcerting revenge tale that’s gleefully outlandish.
In this fantasy, an expert in preparing orgasm-inducing food courses enters a kingdom to seek retribution on his master’s behalf.
Morminiu is a phril (male) whose destination is the Royal Carami—a city inside a giant monster. As the capital of the Green Kingdom, the Carami accommodates the noble Houses. Morminiu first sees Hitissh Leomi of the House of Lormont and requests his protection and freedom of ascent. Morminiu is a Recipear, like his master, Hitissh Plabos, the kingdom’s former Master Recipear. Recipearium is an art form that involves mastering Recipes, as a course can provide phrils with gastric orgasms. Morminiu, a proficient Recipear, garners fame among those in the Carami. But his real purpose is revenge for Plabos; Morminiu blames Leomi for his master’s banishment from the kingdom. After months in the kingdom, Morminiu gradually rises in title and, at the House of Phriliras, believes he’s found a suitable companion in High Priestess Valiria. But he’s also amassed enemies, such as the current Master Recipear, Harissh Tathar. As it turns out, Plabos has his share of foes as well, and Morminiu comes to realize that his vengeance may be directed at the wrong target. Gurgu’s (Chronicles From the End of the World, 2011, etc.) intent in this offbeat fantasy is clearly to provoke readers, as he fills his pages with startling imagery. Along with a high volume of “excretia” and “vomitus,” there are intermittent Recipes that sometimes include exploding worms or raw meat. But the author has created engaging characters within a bizarre, indelible world. Phrils and phriliras (females), for one, resemble humans and use swords as weapons. But both genders evidently have the same sexual organs (vulbas) and some, like Morminiu, have gills. Moreover, the protagonist has depth; he seems to have genuine feelings for Valiria and, at one point, questions whether Plabos’ Recipes are art or simply vice. And with Gurgu’s rich descriptions, readers won’t likely forget characters reside in a huge creature: “The walls were formed by thousands of thin bones connected by dense cartilage, looking like a fence of deformed and bent poles held together with mud.”
An engrossing and disconcerting revenge tale that’s gleefully outlandish.Pub Date: April 16, 2017
ISBN: 978-0-692-87945-0
Page Count: 312
Publisher: White Cat Publications, LLC
Review Posted Online: Jan. 16, 2020
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...
Another middle-aged mom in a muddle.
After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).Pub Date: July 1, 2002
ISBN: 0-345-45071-X
Page Count: 352
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2002
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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