Some nice descriptions of the olive groves, but this is too scattershot to make for emotionally satisfying fiction.
Five generations of unusually long-lived women have family troubles in Santo’s oddly static debut.
With fourth-generation Deborah just paroled after 20 years in jail for killing her husband, and her daughter Erin about to have a child with no husband in sight, not to mention matriarch Anna (age 112) only one death away from being the oldest person in the world, there ought to be more excitement in the house they share overlooking their olive groves in northern California. Instead, there’s simmering resentment and whiny adolescent complaining, which sounds especially self-indulgent coming from 42-year-old Deborah. Granted, her mother, Callie, is thoroughly nasty almost all the time, despite the painkillers she constantly pops for a leg crippled in a bizarre accident, which the author refers to in frustrating fragments over more than 200 pages before finally deigning to tell us exactly what happened. Deborah’s violent quarrel with Callie in the hospital where Erin is giving birth is the novel’s only truly dramatic scene; the fact that Deborah then jumps parole, disappears and is barely ever referred to again is regrettably typical of Santo’s clumsy handling of plot and character. Amrit Hashmi, the geneticist who comes to study Anna and her descendants in the hope of discovering the secret of their longevity, at first seems like something of a nut, judging by a Washington Post column jarringly inserted in the text. Amorous emails exchanged between him and Callie do little to improve our opinion of either, though we’re later invited to think of their affair as a life-changing event. Other events that seem to merit attention, such as the birth of Erin’s son breaking the line of four firstborn daughters, are not commented on at all. Transcripts of news videotape and a closing folktale are other examples of the author’s failure to maintain coherent structure, pacing or tone.
Some nice descriptions of the olive groves, but this is too scattershot to make for emotionally satisfying fiction.Pub Date: Aug. 21, 2012
ISBN: 978-0-06-213051-8
Page Count: 320
Publisher: Morrow/HarperCollins
Review Posted Online: April 28, 2012
Kirkus Reviews Issue: June 15, 2012
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.
Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.
Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.Pub Date: April 24, 2018
ISBN: 978-1-5011-5464-5
Page Count: 368
Publisher: Atria
Review Posted Online: Feb. 5, 2018
Kirkus Reviews Issue: Feb. 15, 2018
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