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THE ROOTS OF THE OLIVE TREE

Some nice descriptions of the olive groves, but this is too scattershot to make for emotionally satisfying fiction.

Five generations of unusually long-lived women have family troubles in Santo’s oddly static debut.

With fourth-generation Deborah just paroled after 20 years in jail for killing her husband, and her daughter Erin about to have a child with no husband in sight, not to mention matriarch Anna (age 112) only one death away from being the oldest person in the world, there ought to be more excitement in the house they share overlooking their olive groves in northern California. Instead, there’s simmering resentment and whiny adolescent complaining, which sounds especially self-indulgent coming from 42-year-old Deborah. Granted, her mother, Callie, is thoroughly nasty almost all the time, despite the painkillers she constantly pops for a leg crippled in a bizarre accident, which the author refers to in frustrating fragments over more than 200 pages before finally deigning to tell us exactly what happened. Deborah’s violent quarrel with Callie in the hospital where Erin is giving birth is the novel’s only truly dramatic scene; the fact that Deborah then jumps parole, disappears and is barely ever referred to again is regrettably typical of Santo’s clumsy handling of plot and character. Amrit Hashmi, the geneticist who comes to study Anna and her descendants in the hope of discovering the secret of their longevity, at first seems like something of a nut, judging by a Washington Post column jarringly inserted in the text. Amorous emails exchanged between him and Callie do little to improve our opinion of either, though we’re later invited to think of their affair as a life-changing event. Other events that seem to merit attention, such as the birth of Erin’s son breaking the line of four firstborn daughters, are not commented on at all. Transcripts of news videotape and a closing folktale are other examples of the author’s failure to maintain coherent structure, pacing or tone.

Some nice descriptions of the olive groves, but this is too scattershot to make for emotionally satisfying fiction.

Pub Date: Aug. 21, 2012

ISBN: 978-0-06-213051-8

Page Count: 320

Publisher: Morrow/HarperCollins

Review Posted Online: April 28, 2012

Kirkus Reviews Issue: June 15, 2012

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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THE GREAT ALONE

A tour de force.

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In 1974, a troubled Vietnam vet inherits a house from a fallen comrade and moves his family to Alaska.

After years as a prisoner of war, Ernt Allbright returned home to his wife, Cora, and daughter, Leni, a violent, difficult, restless man. The family moved so frequently that 13-year-old Leni went to five schools in four years. But when they move to Alaska, still very wild and sparsely populated, Ernt finds a landscape as raw as he is. As Leni soon realizes, “Everyone up here had two stories: the life before and the life now. If you wanted to pray to a weirdo god or live in a school bus or marry a goose, no one in Alaska was going to say crap to you.” There are many great things about this book—one of them is its constant stream of memorably formulated insights about Alaska. Another key example is delivered by Large Marge, a former prosecutor in Washington, D.C., who now runs the general store for the community of around 30 brave souls who live in Kaneq year-round. As she cautions the Allbrights, “Alaska herself can be Sleeping Beauty one minute and a bitch with a sawed-off shotgun the next. There’s a saying: Up here you can make one mistake. The second one will kill you.” Hannah’s (The Nightingale, 2015, etc.) follow-up to her series of blockbuster bestsellers will thrill her fans with its combination of Greek tragedy, Romeo and Juliet–like coming-of-age story, and domestic potboiler. She re-creates in magical detail the lives of Alaska's homesteaders in both of the state's seasons (they really only have two) and is just as specific and authentic in her depiction of the spiritual wounds of post-Vietnam America.

A tour de force.

Pub Date: Feb. 6, 2018

ISBN: 978-0-312-57723-0

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Oct. 30, 2017

Kirkus Reviews Issue: Nov. 15, 2017

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