Young love intensifies the action in this sequel.
In this YA fantasy sequel to The Gatekeeper’s Son (2014), Fladmark’s heroes must meet the increasing threat of the reptilian Evil Ones.
James “Junya” Thompson is the teenage heir to his grandfather’s business empire. He was raised in Japan, but his family now lives in San Francisco, where he learned of the Gatekeepers—warrior women who can travel instantaneously to anywhere on Earth and between otherworldly realms. After being bitten by Bartholomew, the leader of the reptilian Evil Ones, James bonds with Shoko, a Gatekeeper his own age. She brings him to a hot spring near the Himalayas to treat his mostly healed, though still occasionally painful, wounds. The Kannushi, or high priest, of Izumo (Shoko’s world) believes that the residue of Bartholomew’s dark power is what allows James to travel as the Gatekeepers do. In the mountains, James and Shoko learn that the shaman of a nearby village has been killed by something the locals call “the Black Life-Stealing Fiend.” James senses that Evil Ones committed the murder, and Shoko determines that they’re targeting shamans who perform ceremonies near open gateways. Keeping the realm of the gods safe is her first priority; James, meanwhile, hopes to woo her, so he stays close, working to master the powers growing within him while also spending time with his best friend, Mack Anderson. Fladmark expands the emotional scope of the series when Shoko asks James early on, “Why do you want to be alone with me?” Teenage yearning is at the core of this sequel (“I ran my hand over her stomach, taut with muscle yet still soft”), but the book also maintains a philosophical edge: Shoko says that “expectations are the root of all turmoil,” and when a trendy new app is proposed to help quell the masses, James asks a room of overpaid businessmen, “If keeping people happy is the goal, then why not give everyone a fair share?” Action fans won’t be disappointed, though, as the heroes train a youthful army to battle the Evil Ones. Shoko’s late-stage epiphany sets up a potentially calamity-filled next installment.
Young love intensifies the action in this sequel.Pub Date: Feb. 12, 2017
ISBN: 978-0-9937776-3-9
Page Count: 390
Publisher: The Shokunin Publishing Company
Review Posted Online: Oct. 18, 2017
Kirkus Reviews Issue: Dec. 15, 2017
Review Program: Kirkus Indie
BOOK REVIEW
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.
Pub Date: June 1, 1985
ISBN: 068487122X
Page Count: 872
Publisher: Simon & Schuster
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: May 15, 1985
IN THE NEWS
SEEN & HEARD
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