Young love intensifies the action in this sequel.
In this YA fantasy sequel to The Gatekeeper’s Son (2014), Fladmark’s heroes must meet the increasing threat of the reptilian Evil Ones.
James “Junya” Thompson is the teenage heir to his grandfather’s business empire. He was raised in Japan, but his family now lives in San Francisco, where he learned of the Gatekeepers—warrior women who can travel instantaneously to anywhere on Earth and between otherworldly realms. After being bitten by Bartholomew, the leader of the reptilian Evil Ones, James bonds with Shoko, a Gatekeeper his own age. She brings him to a hot spring near the Himalayas to treat his mostly healed, though still occasionally painful, wounds. The Kannushi, or high priest, of Izumo (Shoko’s world) believes that the residue of Bartholomew’s dark power is what allows James to travel as the Gatekeepers do. In the mountains, James and Shoko learn that the shaman of a nearby village has been killed by something the locals call “the Black Life-Stealing Fiend.” James senses that Evil Ones committed the murder, and Shoko determines that they’re targeting shamans who perform ceremonies near open gateways. Keeping the realm of the gods safe is her first priority; James, meanwhile, hopes to woo her, so he stays close, working to master the powers growing within him while also spending time with his best friend, Mack Anderson. Fladmark expands the emotional scope of the series when Shoko asks James early on, “Why do you want to be alone with me?” Teenage yearning is at the core of this sequel (“I ran my hand over her stomach, taut with muscle yet still soft”), but the book also maintains a philosophical edge: Shoko says that “expectations are the root of all turmoil,” and when a trendy new app is proposed to help quell the masses, James asks a room of overpaid businessmen, “If keeping people happy is the goal, then why not give everyone a fair share?” Action fans won’t be disappointed, though, as the heroes train a youthful army to battle the Evil Ones. Shoko’s late-stage epiphany sets up a potentially calamity-filled next installment.
Young love intensifies the action in this sequel.Pub Date: Feb. 12, 2017
ISBN: 978-0-9937776-3-9
Page Count: 390
Publisher: The Shokunin Publishing Company
Review Posted Online: Oct. 18, 2017
Kirkus Reviews Issue: Dec. 15, 2017
Review Program: Kirkus Indie
BOOK REVIEW
King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these...
Figuratively and literally shattering moments of hoRRRRRipilication in Chamberlain, Maine where stones fly from the sky rather than from the hands of the villagers (as they did in "The Lottery," although the latter are equal to other forms of persecution).
All beginning when Carrie White discovers a gift with telekinetic powers (later established as a genetic fact), after she menstruates in full ignorance of the process and thinks she is bleeding to death while the other monsters in the high school locker room bait and bully her mercilessly. Carrie is the only child of a fundamentalist freak mother who has brought her up with a concept of sin which no blood of the Lamb can wash clean. In addition to a sympathetic principal and gym teacher, there's one girl who wishes to atone and turns her date for the spring ball over to Carrie who for the first time is happy, beautiful and acknowledged as such. But there will be hell to pay for this success—not only her mother but two youngsters who douse her in buckets of fresh-killed pig blood so that Carrie once again uses her "wild talent," flexes her mind and a complete catastrophe (explosion and an uncontrolled fire) virtually destroys the town.
King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these youngsters who once ate peanut butter now scrawl "Carrie White eats shit." But as they still say around here, "Sit a spell and collect yourself."Pub Date: April 8, 1974
ISBN: 0385086954
Page Count: 216
Publisher: Doubleday
Review Posted Online: Sept. 26, 2011
Kirkus Reviews Issue: April 1, 1974
PERSPECTIVES
SEEN & HEARD
BOOK TO SCREEN
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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