by Craig Brown ‧ RELEASE DATE: Oct. 1, 2024
A gently satiric reflection, even including dreams, of how the world went gaga for Queen Elizabeth.
Fond mosaic of the far-reaching life of the late Queen Elizabeth.
A keen observer of the royals, British humorist and prolific author Brown offers a roaming, disjointed collage of Elizabeth II, who died at age 96 in 2022. A symbol, a cypher, and an icon, the queen was the country’s obsession as well as a mirror to its people over her long life. “There are even times I wonder if I know more about the Queen and her family than I do about myself,” Brown writes. Her entire life from birth in 1926 was open to public scrutiny; the first biography about her was published when she was four. “Hers was the most familiar, most photographed face in human history,” he adds. The author devotes many of his short, breezy chapters to encounters with the queen recorded by Kingsley Amis, Jacqueline Bouvier Kennedy, Philip Larkin, Cecil Beaton, and Hillary Mantel, among others: what it felt like to be in the presence of this formidable face, shake her hand, and get caught in terrifying, platitudinous exchanges with her. In her presence, people were often tongue-tied or star-struck or got woozy, records Brown, even those as famous as she. Her natural reticence made much conversation awkward, outside of discussing her beloved horses and corgis, but she was dogged in the meet-and-greet until her dying days. Complimented on her acting in a movie cameo with Paddington Bear in the last year of her life, she replied, “Well of course, I do it all the time.” Brown does not omit the royal family’s well-publicized scandals, but the tone here overall is appreciative and nostalgic.
A gently satiric reflection, even including dreams, of how the world went gaga for Queen Elizabeth.Pub Date: Oct. 1, 2024
ISBN: 9780374610920
Page Count: 672
Publisher: Farrar, Straus and Giroux
Review Posted Online: July 17, 2024
Kirkus Reviews Issue: Aug. 15, 2024
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SEEN & HEARD
by David Grann ‧ RELEASE DATE: April 18, 2017
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
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Best Books Of 2017
New York Times Bestseller
IndieBound Bestseller
National Book Award Finalist
Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorker staff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
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BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
by Stephanie Johnson & Brandon Stanton illustrated by Henry Sene Yee ‧ RELEASE DATE: July 12, 2022
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
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New York Times Bestseller
A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
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