The author’s formidable literary gifts are only occasionally on view in an overly ambitious psychological thriller that...
Chaotic historical mystery from Nova (Cruisers, 2004, etc.), who continues his move toward more heavily plotted work.
The setting, credibly evoked, is ominous, sinister Weimar Berlin in 1930, amid street fighting and brutal political maneuvering by both the Left and the soon-to-be triumphant Nazis. Gaelle, a young woman disfigured by a scar from a car crash, has learned to make her living as a prostitute not by hiding her injury but by capitalizing on the damaged allure it lends her. She becomes the sought-after companion of several powerful figures, and in a city where the only commerce as reliable as the sex trade is information trafficking, she learns to play every side against the others. This is a dangerous business, perhaps even a fatal one, as Gaelle is well aware. But she’s attended by another maimed soul, a lame teen named Felix who’s determined to protect her from the dangers that lurk everywhere. Meanwhile a serial rapist and killer has been preying on young women, several of them acquaintances of Gaelle, and a female detective named Armina comes to her, as so many have before, for tidbits of gossip and inside knowledge. Embattled Armina, Berlin’s only female detective, is the novel’s most memorable character, but Nova buries her beneath hackneyed subplots that include a mystical love match and a battle of wills with a corrupt, amoral boss.
The author’s formidable literary gifts are only occasionally on view in an overly ambitious psychological thriller that provides little persuasive psychology and few thrills.Pub Date: Feb. 2, 2010
ISBN: 978-0-307-23693-7
Page Count: 320
Publisher: Shaye Areheart/Harmony
Review Posted Online: April 8, 2011
Kirkus Reviews Issue: Jan. 1, 2010
This book sings with the terrible silence of dead civilizations in which once there was valor.
Written with quiet dignity that builds to a climax of tragic force, this book about the dissolution of an African tribe, its traditions, and values, represents a welcome departure from the familiar "Me, white brother" genre.
Written by a Nigerian African trained in missionary schools, this novel tells quietly the story of a brave man, Okonkwo, whose life has absolute validity in terms of his culture, and who exercises his prerogative as a warrior, father, and husband with unflinching single mindedness. But into the complex Nigerian village filters the teachings of strangers, teachings so alien to the tribe, that resistance is impossible. One must distinguish a force to be able to oppose it, and to most, the talk of Christian salvation is no more than the babbling of incoherent children. Still, with his guns and persistence, the white man, amoeba-like, gradually absorbs the native culture and in despair, Okonkwo, unable to withstand the corrosion of what he, alone, understands to be the life force of his people, hangs himself. In the formlessness of the dying culture, it is the missionary who takes note of the event, reminding himself to give Okonkwo's gesture a line or two in his work, The Pacification of the Primitive Tribes of the Lower Niger.
This book sings with the terrible silence of dead civilizations in which once there was valor.Pub Date: Jan. 23, 1958
ISBN: 0385474547
Page Count: 207
Publisher: McDowell, Obolensky
Review Posted Online: April 23, 2013
Kirkus Reviews Issue: Jan. 1, 1958
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Jonathan Livingston Kitty, it’s not.
A lonely postman learns that he’s about to die—and reflects on life as he bargains with a Hawaiian-shirt–wearing devil.
The 30-year-old first-person narrator in filmmaker/novelist Kawamura’s slim novel is, by his own admission, “boring…a monotone guy,” so unimaginative that, when he learns he has a brain tumor, the bucket list he writes down is dull enough that “even the cat looked disgusted with me.” Luckily—or maybe not—a friendly devil, dubbed Aloha, pops onto the scene, and he’s willing to make a deal: an extra day of life in exchange for being allowed to remove something pleasant from the world. The first thing excised is phones, which goes well enough. (The narrator is pleasantly surprised to find that “people seemed to have no problem finding something to fill up their free time.”) But deals with the devil do have a way of getting complicated. This leads to shallow musings (“Sometimes, when you rewatch a film after not having seen it for a long time, it makes a totally different impression on you than it did the first time you saw it. Of course, the movie hasn’t changed; it’s you who’s changed") written in prose so awkward, it’s possibly satire (“Tears dripped down onto the letter like warm, salty drops of rain”). Even the postman’s beloved cat, who gains the power of speech, ends up being prim and annoying. The narrator ponders feelings about a lost love, his late mother, and his estranged father in a way that some readers might find moving at times. But for many, whatever made this book a bestseller in Japan is going to be lost in translation.
Jonathan Livingston Kitty, it’s not.Pub Date: March 12, 2019
ISBN: 978-1-250-29405-0
Page Count: 176
Publisher: Flatiron Books
Review Posted Online: Feb. 16, 2019
Kirkus Reviews Issue: March 1, 2019
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