A quirky new work by the author of Your Name Here: ________ (1994), etc., focuses on the sexual power struggles of two long- married couples in terms best understood by their pet dogs. Morgan, an aging dancer in his mid-30s, has grown bored with his listless wife, Fanny, a would-be decorator who waits tables part-time. Scott, the middle-aged owner of a catering service and Fanny's boss, has long felt alienated by his own marriage to sexless Suzanne, who only wants to maintain the status quo. What these two couples have in common is a preoccupation with their dogs, a beautiful husky and a friendly springer spaniel—both of which have begun responding to family tensions with neurotic behavior of their own. The dogs provide a common point of interest for Fanny and Scott; the more he talks with Fanny about doggie problems, the more arid and unbearable the rest of his life appears. The two begin meeting in the park, ostensibly to exercise their dogs. Morgan, obsessed with his career problems and with a lesbian dancer named Renee, doesn't care about their meetings, and Suzanne, offstage baking cookies, is quite unaware of them. Inevitably, Fanny falls into an affair with Scott, probably because it's her nature to submit: She yields to Scott, to Renee, whose determination to succeed as a dancer leaves no one in her path unharmed, and even to a female acquaintance determined to breed Fanny's husky with a wolf and create her own new champion breed. When Scott and Fanny make the break with their spouses, each member of the drama responds in doglike fashion—that is, according to his or her status in the pack. In the end, it's all too clear who's alpha and who's not in this dog-eat-dog world—but as long as a person remembers where he stands, happiness is possible. Hardly romantic, but often very amusing. Mazza is one cold- blooded comedian.
Pub Date: May 1, 1997
ISBN: 1-56889-055-1
Page Count: 265
Publisher: Coffee House
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 1997
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
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