A quirky new work by the author of Your Name Here: ________ (1994), etc., focuses on the sexual power struggles of two long- married couples in terms best understood by their pet dogs. Morgan, an aging dancer in his mid-30s, has grown bored with his listless wife, Fanny, a would-be decorator who waits tables part-time. Scott, the middle-aged owner of a catering service and Fanny's boss, has long felt alienated by his own marriage to sexless Suzanne, who only wants to maintain the status quo. What these two couples have in common is a preoccupation with their dogs, a beautiful husky and a friendly springer spaniel—both of which have begun responding to family tensions with neurotic behavior of their own. The dogs provide a common point of interest for Fanny and Scott; the more he talks with Fanny about doggie problems, the more arid and unbearable the rest of his life appears. The two begin meeting in the park, ostensibly to exercise their dogs. Morgan, obsessed with his career problems and with a lesbian dancer named Renee, doesn't care about their meetings, and Suzanne, offstage baking cookies, is quite unaware of them. Inevitably, Fanny falls into an affair with Scott, probably because it's her nature to submit: She yields to Scott, to Renee, whose determination to succeed as a dancer leaves no one in her path unharmed, and even to a female acquaintance determined to breed Fanny's husky with a wolf and create her own new champion breed. When Scott and Fanny make the break with their spouses, each member of the drama responds in doglike fashion—that is, according to his or her status in the pack. In the end, it's all too clear who's alpha and who's not in this dog-eat-dog world—but as long as a person remembers where he stands, happiness is possible. Hardly romantic, but often very amusing. Mazza is one cold- blooded comedian.
Pub Date: May 1, 1997
ISBN: 1-56889-055-1
Page Count: 265
Publisher: Coffee House
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 1997
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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