A compelling work of social criticism that speaks to a desperate time.
Pensive meditation on the violence in Mexico that has compelled so many to seek refuge north of the border.
“What we Mexicans have been forced to witness at the beginning of the twenty-first century—on the streets, on pedestrian bridges, on television, or in the papers—is, without a doubt, one of the most chilling spectacles of contemporary horror,” writes Rivera Garza, a poet, critic, translator, and professor of Hispanic Studies at the University of Houston. That spectacle includes the mass murder of women in border cities, drug-fueled violence throughout the country, politically motivated killings, and smaller, less systematic incidents, including the femicide of her sister. “Soon after she was pronounced dead,” writes the author, “the Mexico City police had gathered enough evidence to issue a warrant of arrest against…an ex-boyfriend who never stopped stalking and threatening her, and who, to this day, has not paid for his crime….The war, this variously named war that still tears us apart, began, for me, on that date. Grieving, too, began its long, mercurial, transformative work.” In the face of all this bloodshed, former president Vicente Fox muttered, “Why should I care?” Fox has protection, money, and a walled estate, shields that most Mexicans do not enjoy. For all that, writes the author, everyone should care: “The dead are mine and they are yours.” Regrettably, few seem to, leading to the damaging trope that Mexicans are so often seen as “inadequate, passive, or fatalist victims.” As Rivera Garza ably demonstrates, so much of the responsibility for the violence can be attributed to the failure of the state. In the end, the slow collapse of civil society amounts to less a revolution than a “structural change” whose consequences are not yet known and “for which a vocabulary to comprehend it does not yet exist.”
A compelling work of social criticism that speaks to a desperate time.Pub Date: Oct. 6, 2020
ISBN: 978-1-936932-93-1
Page Count: 168
Publisher: Feminist Press
Review Posted Online: July 28, 2020
Kirkus Reviews Issue: Aug. 15, 2020
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Essential reading for any Twain buff and student of American literature.
A decidedly warts-and-all portrait of the man many consider to be America’s greatest writer.
It makes sense that distinguished biographer Chernow (Washington: A Life and Alexander Hamilton) has followed up his life of Ulysses S. Grant with one of Mark Twain: Twain, after all, pulled Grant out of near bankruptcy by publishing the ex-president’s Civil War memoir under extremely favorable royalty terms. The act reflected Twain’s inborn generosity and his near pathological fear of poverty, the prime mover for the constant activity that characterized the author’s life. As Chernow writes, Twain was “a protean figure who played the role of printer, pilot, miner, journalist, novelist, platform artist, toastmaster, publisher, art patron, pundit, polemicist, inventor, crusader, investor, and maverick.” He was also slippery: Twain left his beloved Mississippi River for the Nevada gold fields as a deserter from the Confederate militia, moved farther west to California to avoid being jailed for feuding, took up his pseudonym to stay a step ahead of anyone looking for Samuel Clemens, especially creditors. Twain’s flaws were many in his own day. Problematic in our own time is a casual racism that faded as he grew older (charting that “evolution in matters of racial tolerance” is one of the great strengths of Chernow’s book). Harder to explain away is Twain’s well-known but discomfiting attraction to adolescent and even preadolescent girls, recruiting “angel-fish” to keep him company and angrily declaring when asked, “It isn’t the public’s affair.” While Twain emerges from Chernow’s pages as the masterful—if sometimes wrathful and vengeful—writer that he is now widely recognized to be, he had other complexities, among them a certain gullibility as a businessman that kept that much-feared poverty often close to his door, as well as an overarchingly gloomy view of the human condition that seemed incongruous with his reputation, then and now, as a humanist.
Essential reading for any Twain buff and student of American literature.Pub Date: May 13, 2025
ISBN: 9780525561729
Page Count: 1174
Publisher: Penguin Press
Review Posted Online: Feb. 1, 2025
Kirkus Reviews Issue: March 1, 2025
SEEN & HEARD
SEEN & HEARD
A fierce, penetrating, and empowering call for change.
Artist and activist Vaid-Menon demonstrates how the normativity of the gender binary represses creativity and inflicts physical and emotional violence.
The author, whose parents emigrated from India, writes about how enforcement of the gender binary begins before birth and affects people in all stages of life, with people of color being especially vulnerable due to Western conceptions of gender as binary. Gender assignments create a narrative for how a person should behave, what they are allowed to like or wear, and how they express themself. Punishment of nonconformity leads to an inseparable link between gender and shame. Vaid-Menon challenges familiar arguments against gender nonconformity, breaking them down into four categories—dismissal, inconvenience, biology, and the slippery slope (fear of the consequences of acceptance). Headers in bold font create an accessible navigation experience from one analysis to the next. The prose maintains a conversational tone that feels as intimate and vulnerable as talking with a best friend. At the same time, the author's turns of phrase in moments of deep insight ring with precision and poetry. In one reflection, they write, “the most lethal part of the human body is not the fist; it is the eye. What people see and how people see it has everything to do with power.” While this short essay speaks honestly of pain and injustice, it concludes with encouragement and an invitation into a future that celebrates transformation.
A fierce, penetrating, and empowering call for change. (writing prompt) (Nonfiction. 14-adult)Pub Date: June 2, 2020
ISBN: 978-0-593-09465-5
Page Count: 64
Publisher: Penguin Workshop
Review Posted Online: March 14, 2020
Kirkus Reviews Issue: April 1, 2020
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