Entertaining in places but unsatisfying overall.
A love story with a metafictional wrapper and more puns than Rapunzel had hairs on her head.
On a commuter train chugging through New Jersey, a book editor named John tells of how he is buttonholed by a fellow named Katz and agrees to listen to him recite a novel by his brother, also known as Katz, whenever their rides coincide. The story of the internal novel concerns an affair between a casually observant Jew also named Katz and a Christian woman named Maria who meet as they wait for a commuter trolley to Boston. They progress quickly to intimacy via their shared intelligence, sensuality, and fondness for wordplay. But Maria is “slowly filling with guilt,” until she eventually takes a vow of chastity. It’s a distressing development for Katz. But which one? The Katz who is the protagonist of the novel within the novel and has a brother named Katz in that underlying fiction, or the Katz who is the author of the NWTN, or his brother, Katz, the reciter of the NWTN within the novel. Having fun yet? Leviant (Kafka’s Son, 2016, etc.) certainly is. He alludes to his own previous books and to a novelist named C.L. Eviant, and he never met a bad pun he didn’t use: “Whodunnit? Hedon it. Hedonist. I’m a hedonist. But she, she wasn’t a shedonist.” Readers may enjoy the verbal silliness and meta-mischief but feel shortchanged on substance. Leviant’s characters often feel like pawns for his playfulness even when things turn serious—if not sacrilegious—in matters of faith. The anatomy of the affair is almost devoid of real tension, especially as it must frequently yield to the metafictional hijinks, which themselves make for annoying echoes as new versions of chapters are introduced and give Leviant a chance to have his Katz and repeat it.
Entertaining in places but unsatisfying overall.Pub Date: Dec. 4, 2018
ISBN: 978-1-945814-45-7
Page Count: 360
Publisher: Dzanc
Review Posted Online: Sept. 23, 2018
Kirkus Reviews Issue: Oct. 1, 2018
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
These letters from some important executive Down Below, to one of the junior devils here on earth, whose job is to corrupt mortals, are witty and written in a breezy style seldom found in religious literature. The author quotes Luther, who said: "The best way to drive out the devil, if he will not yield to texts of Scripture, is to jeer and flout him, for he cannot bear scorn." This the author does most successfully, for by presenting some of our modern and not-so-modern beliefs as emanating from the devil's headquarters, he succeeds in making his reader feel like an ass for ever having believed in such ideas. This kind of presentation gives the author a tremendous advantage over the reader, however, for the more timid reader may feel a sense of guilt after putting down this book. It is a clever book, and for the clever reader, rather than the too-earnest soul.
Pub Date: Jan. 1, 1942
ISBN: 0060652934
Page Count: 53
Publisher: Macmillan
Review Posted Online: Oct. 17, 2011
Kirkus Reviews Issue: June 15, 1943
Inspired by disclosures of a real-life Florida reform school’s long-standing corruption and abusive practices, Whitehead’s...
The acclaimed author of The Underground Railroad (2016) follows up with a leaner, meaner saga of Deep South captivity set in the mid-20th century and fraught with horrors more chilling for being based on true-life atrocities.
Elwood Curtis is a law-abiding, teenage paragon of rectitude, an avid reader of encyclopedias and after-school worker diligently overcoming hardships that come from being abandoned by his parents and growing up black and poor in segregated Tallahassee, Florida. It’s the early 1960s, and Elwood can feel changes coming every time he listens to an LP of his hero Martin Luther King Jr. sermonizing about breaking down racial barriers. But while hitchhiking to his first day of classes at a nearby black college, Elwood accepts a ride in what turns out to be a stolen car and is sentenced to the Nickel Academy, a juvenile reformatory that looks somewhat like the campus he’d almost attended but turns out to be a monstrously racist institution whose students, white and black alike, are brutally beaten, sexually abused, and used by the school’s two-faced officials to steal food and supplies. At first, Elwood thinks he can work his way past the arbitrary punishments and sadistic treatment (“I am stuck here, but I’ll make the best of it…and I’ll make it brief”). He befriends another black inmate, a street-wise kid he knows only as Turner, who has a different take on withstanding Nickel: “The key to in here is the same as surviving out there—you got to see how people act, and then you got to figure out how to get around them like an obstacle course.” And if you defy them, Turner warns, you’ll get taken “out back” and are never seen or heard from again. Both Elwood’s idealism and Turner’s cynicism entwine into an alliance that compels drastic action—and a shared destiny. There's something a tad more melodramatic in this book's conception (and resolution) than one expects from Whitehead, giving it a drugstore-paperback glossiness that enhances its blunt-edged impact.
Inspired by disclosures of a real-life Florida reform school’s long-standing corruption and abusive practices, Whitehead’s novel displays its author’s facility with violent imagery and his skill at weaving narrative strands into an ingenious if disquieting whole.Pub Date: July 16, 2019
ISBN: 978-0-385-53707-0
Page Count: 224
Publisher: Doubleday
Review Posted Online: Jan. 20, 2019
Kirkus Reviews Issue: Feb. 1, 2019
PERSPECTIVES
SEEN & HEARD
SEEN & HEARD
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