by C.W. Gortner ‧ RELEASE DATE: May 24, 2016
An ambitious but occasionally overbroad account of the life of the German-American star whose life spanned continents, wars,...
International movie star Marlene Dietrich relates her eventful story in a first-person fictional account.
Maria Magdalene Dietrich, known as Marlene, was born to a distinguished but threadbare family in turn-of-the-20th-century Berlin, where her hardworking widowed mother instilled in her the motto Tu etwas—do something. This work ethic and constant struggle against insolvency in a defeated Germany propels young Marlene to a music conservatory, where, upon learning that she will never be a top-notch violinist, she promptly seduces her instructor, beginning a lifelong journey of balancing her middling talent with her overwhelming sexual charisma. Set loose in the cabaret world of the Weimar Republic, Marlene works her way up from the chorus to bit parts in the burgeoning German film world, marries a promising director, and then meets Josef von Sternberg, who makes her a star and takes her to Hollywood. Author Gortner (The Vatican Princess, 2015, etc.) skillfully evokes the cross-dressing, sexually fluid atmosphere of the seedy nightclubs that helped Marlene define her unique appeal; the scenes are lively and authentic, though overpopulated. When Marlene moves to Hollywood, the story becomes a litany of lovers—Gary Cooper, Mercedes de Acosta, and Jean Gabin—and interchangeable films in which Marlene plays a chanteuse or spy while coping with numerous domestic problems that are raised but never fully examined. It's only when Bette Davis badgers Marlene into joining the USO that the novel finds its heart. The scenes of Marlene entertaining the troops and visiting hospitals in Europe during the second world war are well-detailed and truly moving.
An ambitious but occasionally overbroad account of the life of the German-American star whose life spanned continents, wars, and nearly an entire century.Pub Date: May 24, 2016
ISBN: 978-0-06-240606-4
Page Count: 384
Publisher: Morrow/HarperCollins
Review Posted Online: March 2, 2016
Kirkus Reviews Issue: March 15, 2016
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by C.W. Gortner
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by C.W. Gortner
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by C.W. Gortner
by Kristin Hannah ‧ RELEASE DATE: Feb. 3, 2015
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
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BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
by Madeline Miller ‧ RELEASE DATE: April 10, 2018
Miller makes Homer pertinent to women facing 21st-century monsters.
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A retelling of ancient Greek lore gives exhilarating voice to a witch.
“Monsters are a boon for gods. Imagine all the prayers.” So says Circe, a sly, petulant, and finally commanding voice that narrates the entirety of Miller’s dazzling second novel. The writer returns to Homer, the wellspring that led her to an Orange Prize for The Song of Achilles (2012). This time, she dips into The Odyssey for the legend of Circe, a nymph who turns Odysseus’ crew of men into pigs. The novel, with its distinctive feminist tang, starts with the sentence: “When I was born, the name for what I was did not exist.” Readers will relish following the puzzle of this unpromising daughter of the sun god Helios and his wife, Perse, who had negligible use for their child. It takes banishment to the island Aeaea for Circe to sense her calling as a sorceress: “I will not be like a bird bred in a cage, I thought, too dull to fly even when the door stands open. I stepped into those woods and my life began.” This lonely, scorned figure learns herbs and potions, surrounds herself with lions, and, in a heart-stopping chapter, outwits the monster Scylla to propel Daedalus and his boat to safety. She makes lovers of Hermes and then two mortal men. She midwifes the birth of the Minotaur on Crete and performs her own C-section. And as she grows in power, she muses that “not even Odysseus could talk his way past [her] witchcraft. He had talked his way past the witch instead.” Circe’s fascination with mortals becomes the book’s marrow and delivers its thrilling ending. All the while, the supernatural sits intriguingly alongside “the tonic of ordinary things.” A few passages coil toward melodrama, and one inelegant line after a rape seems jarringly modern, but the spell holds fast. Expect Miller’s readership to mushroom like one of Circe’s spells.
Miller makes Homer pertinent to women facing 21st-century monsters.Pub Date: April 10, 2018
ISBN: 978-0-316-55634-7
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Jan. 22, 2018
Kirkus Reviews Issue: Feb. 1, 2018
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