A moving story of an American musical original.
With the assistance of Dunn (Why Is My Mother Getting a Tattoo?: And Other Questions I Wish I Never Had to Ask, 2009, etc.), Lauper tells her alternately harrowing, hopeful and hilarious life story.
The author left her home in Ozone Park, Queens, at age 17 to escape a sexually abusive stepfather and the limitations on life—especially for women—imposed by a hardscrabble working-class neighborhood and male-dominated family culture. “As a kid,” she writes, “I heard a lot of sad stories about women.” What followed was years of marginal existence, odd jobs (including a stint as a topless dancer) and very little money. Her life change in 1983, however, with the release of She’s So Unusual, which garnered four top-five hits and made Lauper an instant star. Other hits followed, including the anthemic True Colors (1986). Inevitably, her superstar aura faded, but her eclectic musical output did not. Throughout, she struggled to remain true to her artistic values. In the music industry, she was “surrounded by men,” most of whom were “trying to remake me…and I didn’t want to be remade.” Regardless, Lauper continued to release significant albums, ranging from pop to club music to standards to blues, all of it infused with her own musical vision and a penchant both for remembering the flawed beauty of Ozone Park (“I always felt I could find Shakespeare right in my neighborhood”) and a determined identification with outsiders—especially women and members of the GLBT community. This identification turned into activism as her True Colors Foundation has worked to help and protect GLBT youth and promote tolerance. Though not as literary, Lauper’s story echoes the hopes of a struggling artist portrayed in Patti Smith’s Just Kids.
A moving story of an American musical original.Pub Date: Sept. 18, 2012
ISBN: 978-1-4391-4785-6
Page Count: 352
Publisher: Atria
Review Posted Online: Aug. 12, 2012
Kirkus Reviews Issue: Sept. 1, 2012
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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