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The Blitz Business

Despite the rousing historical background, this sentimental orphan tale remains grim.

A mentally disabled boy tries to navigate his way through World War II–era Britain in this historical novel.

Spruzen’s (Lily Takes the Field, 2013, etc.) latest work begins during the Blitz; teenage Jamie Jenkins resides with his grandmother, who makes a scarce living cleaning houses, and his abusive cousin Roy Beck. Jamie’s mental “slowness” makes him oblivious to much of the depravity that goes on around him, but a German bomb destroys any protection from the real world he might have had. After the attack, Jamie’s life takes a Dickensian turn. He loses his grandmother and is passed from one terrible guardian to another, including a murderous farmer and an unfeeling home for the disabled. Meanwhile, Roy finds out Jamie knows one of his dark secrets and begins tracking him down to protect it. Eventually, their journeys intersect with a German spy’s mission, and Jamie faces life-or-death consequences. Along the way, he struggles to understand each situation he finds himself in and, with the help of a few kind friends, learns to leave his own mark on the world despite his many disadvantages. The well-researched story delivers some well-rounded characters and a few surprises. Although Jamie is mostly portrayed as a stereotypical innocent, simple-minded victim à la Oliver Twist, he gains some agency toward the book’s end as he constantly strives to make himself “more clever.” Unfortunately, he still spends most of the novel being shuffled from one terrible experience to another with very little say in the matter, which makes for a disheartening read. “A little of this and a little of that. That’s people,” Jamie observes about human morality. Yet far too many of the characters are only one thing—angelic martyrs or evil tyrants. And Jamie remains trapped between them, constantly being abused by the latter and saved by the former.

Despite the rousing historical background, this sentimental orphan tale remains grim.

Pub Date: Aug. 1, 2016

ISBN: 978-1-63393-268-5

Page Count: 248

Publisher: Koehler Books

Review Posted Online: July 14, 2016

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CARRIE

King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these...

Figuratively and literally shattering moments of hoRRRRRipilication in Chamberlain, Maine where stones fly from the sky rather than from the hands of the villagers (as they did in "The Lottery," although the latter are equal to other forms of persecution).

All beginning when Carrie White discovers a gift with telekinetic powers (later established as a genetic fact), after she menstruates in full ignorance of the process and thinks she is bleeding to death while the other monsters in the high school locker room bait and bully her mercilessly. Carrie is the only child of a fundamentalist freak mother who has brought her up with a concept of sin which no blood of the Lamb can wash clean. In addition to a sympathetic principal and gym teacher, there's one girl who wishes to atone and turns her date for the spring ball over to Carrie who for the first time is happy, beautiful and acknowledged as such. But there will be hell to pay for this success—not only her mother but two youngsters who douse her in buckets of fresh-killed pig blood so that Carrie once again uses her "wild talent," flexes her mind and a complete catastrophe (explosion and an uncontrolled fire) virtually destroys the town.

King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these youngsters who once ate peanut butter now scrawl "Carrie White eats shit." But as they still say around here, "Sit a spell and collect yourself."

Pub Date: April 8, 1974

ISBN: 0385086954

Page Count: 216

Publisher: Doubleday

Review Posted Online: Sept. 26, 2011

Kirkus Reviews Issue: April 1, 1974

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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