A conventional mystery, but the investigators themselves prove more than enticing.
In the second of White’s (A Killing in D.C., 2014) thriller series, D.C. homicide detectives investigate the brutal murder of a wealthy and philandering CEO.
Detective Marcus Rose’s Sunday date with wife, Gina, is cut short when he responds to a call. Someone’s found Nicholas Lockett in his high-rise penthouse, dead from multiple stab wounds. Lockett, whose net worth totals $250 million, was a ruthless entrepreneur and likely aggrieved any number of people on his way to the top. But Marcus and partner, Detective Logan Steele, believe the ferocity of the stabbing points to a crime of passion. Because Lockett was cheating on his wife, Yvette, with quite a few women, including personal assistant Nicole, it doesn’t really do much to shorten the suspect list. German businessman Diedrick Becker, for example, failed in his attempted hostile takeover of Lockett’s company, Lockett Electronics, but his undeniable hatred of his late rival may have had more to do with an affair involving the German’s wife. Other detectives, from Katelyn Alverez to relative newbie Frank Callahan, also work the case. Not all interviews go smoothly. Lockett’s driver, Stephan, prefers physical resistance to cooperation, and the squad can only hope to amass enough evidence to put a killer in handcuffs. Despite the novel’s short length, White adeptly adds nuance by differentiating the detectives. Detective Anthony Russo, for one, has a drinking problem, while Lt. O’Malley reprimands Detective Alverez for taking a bribe. Marcus and Logan, too, are contrasted: the former is a family man, and the latter a content bachelor. The layout is poorly designed, with dialogue exchanges often crammed into single paragraphs. This does, however, help interrogation scenes stand out. Lines, identified by the speaker, unfold in the style of a script and use minimal narrative to describe basic actions (i.e., a smile). Readers won’t have trouble picking out the murderer, but the characters make the investigation the best part. And it’s led by a protagonist who sublimely contradicts the tough-guy image, eliminating profanities from his vocabulary and obsessively using hand sanitizer.
A conventional mystery, but the investigators themselves prove more than enticing.Pub Date: N/A
ISBN: N/A
Page Count: -
Publisher: Dog Ear Publisher
Review Posted Online: Aug. 5, 2016
Review Program: Kirkus Indie
BOOK REVIEW
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
The emotions run high, the conversations run deep, and the relationships ebb and flow with grace.
When tragedy strikes, a mother and daughter forge a new life.
Morgan felt obligated to marry her high school sweetheart, Chris, when she got pregnant with their daughter, Clara. But she secretly got along much better with Chris’ thoughtful best friend, Jonah, who was dating her sister, Jenny. Now her life as a stay-at-home parent has left her feeling empty but not ungrateful for what she has. Jonah and Jenny eventually broke up, but years later they had a one-night stand and Jenny got pregnant with their son, Elijah. Now Jonah is back in town, engaged to Jenny, and working at the local high school as Clara’s teacher. Clara dreams of being an actress and has a crush on Miller, who plans to go to film school, but her father doesn't approve. It doesn’t help that Miller already has a jealous girlfriend who stalks him via text from college. But Clara and Morgan’s home life changes radically when Chris and Jenny are killed in an accident, revealing long-buried secrets and forcing Morgan to reevaluate the life she chose when early motherhood forced her hand. Feeling betrayed by the adults in her life, Clara marches forward, acting both responsible and rebellious as she navigates her teenage years without her father and her aunt, while Jonah and Morgan's relationship evolves in the wake of the accident. Front-loaded with drama, the story leaves plenty of room for the mother and daughter to unpack their feelings and decide what’s next.
The emotions run high, the conversations run deep, and the relationships ebb and flow with grace.Pub Date: Dec. 10, 2019
ISBN: 978-1-5420-1642-1
Page Count: 400
Publisher: Montlake Romance
Review Posted Online: Oct. 13, 2019
Kirkus Reviews Issue: Nov. 1, 2019
BOOK TO SCREEN
BOOK TO SCREEN
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