A joyous celebration of Egyptian art and culture and special family bonds.
A young Egyptian girl eagerly embarks on a special errand while shopping with her grandfather.
It’s Friday, the day when Somaya and Giddo take their weekly trip to the market. With a secret tucked safely in her pocket, Somaya is in a hurry to visit the tentmakers, but Giddo insists on checking in on his friends—first the calligrapher, whose son recently moved far away, then the jeweler, who invites them to enjoy some mint tea. When they finally arrive in an alley lined with colorful fabrics, Somaya seizes her chance while Giddo, a tentmaker himself, admires an intricate panel. “Show me again how to tie this last knot?” Somaya asks an apprentice, revealing her own appliqué panel. Her task complete, they stroll back home, where Somaya’s parents surprise Giddo with a birthday party and Somaya at last gives him her lovingly hand-sewn gift. “Now I’m a tentmaker, just like you!” Constantine and Latham weave a tale that teaches the values of compassion and the importance of slowing down to enjoy the simple pleasures, while simultaneously offering an exploration of the ancient Egyptian arts of calligraphy, abalone inlay, and tentmaking. A special highlight is the theme of language as a cultural touchstone, where even a greeting like “Good morning with roses and jasmine” is a small act of kindness and care. Hosam’s bold and colorful illustrations capture the hustle and bustle of Old Cairo market’s narrow, winding streets.
A joyous celebration of Egyptian art and culture and special family bonds. (glossary, more about ancient Egyptian arts) (Picture book. 4-8)Pub Date: April 7, 2026
ISBN: 9780593463215
Page Count: 32
Publisher: Nancy Paulsen Books
Review Posted Online: Dec. 26, 2025
Kirkus Reviews Issue: Feb. 1, 2026
Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among
Pete, the cat who couldn’t care less, celebrates Christmas with his inimitable lassitude.
If it weren’t part of the title and repeated on every other page, readers unfamiliar with Pete’s shtick might have a hard time arriving at “groovy” to describe his Christmas celebration, as the expressionless cat displays not a hint of groove in Dean’s now-trademark illustrations. Nor does Pete have a great sense of scansion: “On the first day of Christmas, / Pete gave to me… / A road trip to the sea. / GROOVY!” The cat is shown at the wheel of a yellow microbus strung with garland and lights and with a star-topped tree tied to its roof. On the second day of Christmas Pete gives “me” (here depicted as a gray squirrel who gets on the bus) “2 fuzzy gloves, and a road trip to the sea. / GROOVY!” On the third day, he gives “me” (now a white cat who joins Pete and the squirrel) “3 yummy cupcakes,” etc. The “me” mentioned in the lyrics changes from day to day and gift to gift, with “4 far-out surfboards” (a frog), “5 onion rings” (crocodile), and “6 skateboards rolling” (a yellow bird that shares its skateboards with the white cat, the squirrel, the frog, and the crocodile while Pete drives on). Gifts and animals pile on until the microbus finally arrives at the seaside and readers are told yet again that it’s all “GROOVY!”
Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among . (Picture book. 4-8)Pub Date: Sept. 18, 2018
ISBN: 978-0-06-267527-9
Page Count: 48
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 19, 2018
Kirkus Reviews Issue: Sept. 1, 2018
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
This bunny escapes all the traps but fails to find a logical plot or an emotional connection with readers.
The bestselling series (How to Catch an Elf, 2016, etc.) about capturing mythical creatures continues with a story about various ways to catch the Easter Bunny as it makes its annual deliveries.
The bunny narrates its own story in rhyming text, beginning with an introduction at its office in a manufacturing facility that creates Easter eggs and candy. The rabbit then abruptly takes off on its delivery route with a tiny basket of eggs strapped to its back, immediately encountering a trap with carrots and a box propped up with a stick. The narrative focuses on how the Easter Bunny avoids increasingly complex traps set up to catch him with no explanation as to who has set the traps or why. These traps include an underground tunnel, a fluorescent dance floor with a hidden pit of carrots, a robot bunny, pirates on an island, and a cannon that shoots candy fish, as well as some sort of locked, hazardous site with radiation danger. Readers of previous books in the series will understand the premise, but others will be confused by the rabbit’s frenetic escapades. Cartoon-style illustrations have a 1960s vibe, with a slightly scary, bow-tied bunny with chartreuse eyes and a glowing palette of neon shades that shout for attention.
This bunny escapes all the traps but fails to find a logical plot or an emotional connection with readers. (Picture book. 4-7)Pub Date: Feb. 1, 2017
ISBN: 978-1-4926-3817-9
Page Count: 40
Publisher: Sourcebooks Jabberwocky
Review Posted Online: Jan. 16, 2017
Kirkus Reviews Issue: Feb. 1, 2017
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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