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A GOOD MORNING FOR GIDDO

A joyous celebration of Egyptian art and culture and special family bonds.

A young Egyptian girl eagerly embarks on a special errand while shopping with her grandfather.

It’s Friday, the day when Somaya and Giddo take their weekly trip to the market. With a secret tucked safely in her pocket, Somaya is in a hurry to visit the tentmakers, but Giddo insists on checking in on his friends—first the calligrapher, whose son recently moved far away, then the jeweler, who invites them to enjoy some mint tea. When they finally arrive in an alley lined with colorful fabrics, Somaya seizes her chance while Giddo, a tentmaker himself, admires an intricate panel. “Show me again how to tie this last knot?” Somaya asks an apprentice, revealing her own appliqué panel. Her task complete, they stroll back home, where Somaya’s parents surprise Giddo with a birthday party and Somaya at last gives him her lovingly hand-sewn gift. “Now I’m a tentmaker, just like you!” Constantine and Latham weave a tale that teaches the values of compassion and the importance of slowing down to enjoy the simple pleasures, while simultaneously offering an exploration of the ancient Egyptian arts of calligraphy, abalone inlay, and tentmaking. A special highlight is the theme of language as a cultural touchstone, where even a greeting like “Good morning with roses and jasmine” is a small act of kindness and care. Hosam’s bold and colorful illustrations capture the hustle and bustle of Old Cairo market’s narrow, winding streets.

A joyous celebration of Egyptian art and culture and special family bonds. (glossary, more about ancient Egyptian arts) (Picture book. 4-8)

Pub Date: April 7, 2026

ISBN: 9780593463215

Page Count: 32

Publisher: Nancy Paulsen Books

Review Posted Online: Dec. 26, 2025

Kirkus Reviews Issue: Feb. 1, 2026

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WHY A DAUGHTER NEEDS A MOM

New parents of daughters will eat these up and perhaps pass on the lessons learned.

All the reasons why a daughter needs a mother.

Each spread features an adorable cartoon animal parent-child pair on the recto opposite a rhyming verse: “I’ll always support you in giving your all / in every endeavor, the big and the small, / and be there to catch you in case you should fall. / I hope you believe this is true.” A virtually identical book, Why a Daughter Needs a Dad, publishes simultaneously. Both address standing up for yourself and your values, laughing to ease troubles, being thankful, valuing friendship, persevering and dreaming big, being truthful, thinking through decisions, and being open to differences, among other topics. Though the sentiments/life lessons here and in the companion title are heartfelt and important, there are much better ways to deliver them. These books are likely to go right over children’s heads and developmental levels (especially with the rather advanced vocabulary); their parents are the more likely audience, and for them, the books provide some coaching in what kids need to hear. The two books are largely interchangeable, especially since there are so few references to mom or dad, but one spread in each book reverts to stereotype: Dad balances the two-wheeler, and mom helps with clothing and hair styles. Since the books are separate, it aids in customization for many families.

New parents of daughters will eat these up and perhaps pass on the lessons learned. (Picture book. 4-8, adult)

Pub Date: May 1, 2019

ISBN: 978-1-4926-6781-0

Page Count: 32

Publisher: Sourcebooks Jabberwocky

Review Posted Online: March 16, 2019

Kirkus Reviews Issue: April 1, 2019

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HOW TO CATCH A WITCH

Not enough tricks to make this a treat.

Another holiday title (How To Catch the Easter Bunny by Adam Wallace, illustrated by Elkerton, 2017) sticks to the popular series’ formula.

Rhyming four-line verses describe seven intrepid trick-or-treaters’ efforts to capture the witch haunting their Halloween. Rhyming roadblocks with toolbox is an acceptable stretch, but too often too many words or syllables in the lines throw off the cadence. Children familiar with earlier titles will recognize the traps set by the costume-clad kids—a pulley and box snare, a “Tunnel of Tricks.” Eventually they accept her invitation to “floss, bump, and boogie,” concluding “the dance party had hit the finale at last, / each dancing monster started to cheer! / There’s no doubt about it, we have to admit: / This witch threw the party of the year!” The kids are diverse, and their costumes are fanciful rather than scary—a unicorn, a dragon, a scarecrow, a red-haired child in a lab coat and bow tie, a wizard, and two space creatures. The monsters, goblins, ghosts, and jack-o'-lanterns, backgrounded by a turquoise and purple night sky, are sufficiently eerie. Still, there isn’t enough originality here to entice any but the most ardent fans of Halloween or the series. (This book was reviewed digitally.)

Not enough tricks to make this a treat. (Picture book. 4-7)

Pub Date: Aug. 2, 2022

ISBN: 978-1-72821-035-3

Page Count: 40

Publisher: Sourcebooks Wonderland

Review Posted Online: May 10, 2022

Kirkus Reviews Issue: June 1, 2022

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