by Daisy Dunn ‧ RELEASE DATE: July 5, 2016
A fresh, knowledgeable introduction to life, love, war, and rivalries in ancient Rome.
The short life of Rome’s first lyric poet.
Journalist and classicist Dunn (translator: The Poems of Catullus, 2016) reveals the “uncertain and turbulent times” of ancient Rome in this appreciative, informed biography of Catullus. Dying before he was 30, Catullus produced 117 poems “full of emotion, wit, and lurid insight into some of the key Roman personalities.” Melding many literary genres, his poems’ “apparent simplicity…often masks far greater, deeper sentiment and subtlety of thought,” and he influenced later writers, including Ovid, Virgil, Horace, and Roman satirists. Central to Dunn’s study is Catullus’ longest poem, which she appends to this biography. She calls it his “Bedspread Poem” because it describes in detail the myths incorporated into the sumptuous wedding bedspread of one of Jason’s Argonauts. “The bedspread,” she writes, “was a visual web of words” that evoked history and mythology to create “a miniature epic.” Dunn constructs her narrative around Catullus’ verse, which she has translated from the Latin. “I see this very much as a joint venture: Catullus provides the poetry; I offer something of the world that informed it.” That world was peopled by Cicero, the wealthy orator and statesman, who sought to bolster stability by strengthening Rome’s Senate; ambitious Julius Caesar, a friend of Catullus’ father, who “cemented his claim to Rome through dictatorship”; and the poet’s beloved, Clodia Metelli, a married woman of at least 35 who appeared to him as a “shining goddess.” He gave her the pseudonym Lesbia and made her the subject of a spate of erotic love poems. Lesbia became the poet’s “raison d’etre.” Among many revelations about Roman culture, Dunn speculates that because their affair produced no child, either Clodia or Catullus might have used some method of herbal or barrier contraception.
A fresh, knowledgeable introduction to life, love, war, and rivalries in ancient Rome.Pub Date: July 5, 2016
ISBN: 978-0-06-231702-5
Page Count: 336
Publisher: Harper/HarperCollins
Review Posted Online: April 10, 2016
Kirkus Reviews Issue: May 1, 2016
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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