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YOUNG ROMANTICS

THE TANGLED LIVES OF ENGLISH POETRY’S GREATEST GENERATION

Intelligent and intricate, though occasionally dull.

A prosopography of Keats, Shelley, Byron and others.

Successful biographers must balance density of detail with narrative flow. Cambridge-educated Hay adds the further challenge of documenting not one life, but those of several friends and acquaintances within the admittedly narrow social milieu of the so-called “Young Romantics.” Her thesis concerns the impact of a close circle of friends upon the work that these young talents produced. True to the group’s reputation, their lives involved enough wild abandon, steamy liaisons, elopements, intrigue, incest, love triangles, illegitimate children and passionate death to fill the pages of several novels. Though familiar and less-familiar characters move in and out of the chronological narrative, Hay spends the most time on the exploits of Shelley and Mary Godwin, whom the reckless poet whisked away in scandal while he was still married to another woman, and their entourage. This approach suggests that an artist’s leisure-class coterie—particularly in the early 19th century, when sociability was discussed and pursued as an art in itself—influenced, nurtured and challenged his or her work in significant ways. The author devotes few pages to analyses of the individual works; instead, she weaves a complex background of what was going on when many of these works were written and how those personal events worked their way into the poetry. Some of Shelley’s most beloved poems, for instance, weren’t penned on a bleak promontory but during spirited sonnet contests with his quill-wielding cronies. Though marketed to a general readership, the book hardly seems suitable for anyone but avid readers of literary history or students of Romantic poetry. For that audience, though, Hay offers an engaging model for biographical study, enabling heretofore unacknowledged players in the drama of the Young Romantic poets’ lives to have their say.

Intelligent and intricate, though occasionally dull.

Pub Date: May 4, 2010

ISBN: 978-0-374-12375-8

Page Count: 400

Publisher: Farrar, Straus and Giroux

Review Posted Online: Oct. 5, 2010

Kirkus Reviews Issue: April 15, 2010

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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