Sci-fi and criminology deftly merge in this well-paced tale.
In this debut novel, a lawyer hopes that cutting-edge techniques in suspended animation can solve his problems with the Mafia.
Attorney Patrick Brádaigh lives in Westchester County, New York, and runs the Law Offices of Brady and Sons. For years, while enjoying a seemingly idyllic life with his wife, Colleen, and twin sons, Nick and Andy, Patrick unwittingly works for the Leggiano crime family. When he realizes his mistake, he begins keeping records on the Sicilian Mafia and its murderous operations. To remove the lawyer’s leverage, the mobsters burgle his estate. Trying to steal the records from a vault, a thief murders Colleen. Ten years later, her killer might go free, but Patrick still smolders at the chance for vengeance. The Brádaigh family goes on vacation to the Galápagos Islands, and it’s there that Patrick meets Dr. Kryten Vandermere, who is researching how iguanas remain underwater for extended periods—which will help NASA place humans in hibernation during deep space travel. He explains to her his idea for storing violent criminals in underground sleep chambers, where they won’t burden taxpayers but can be awakened if necessary. Little does the doctor know that Patrick has the Leggiano family marked for a more permanent kind of storage. Arden crafts a sci-fi thriller that heavily embraces family dynamics and red herrings. He teases readers, for example, when Andy says that he and Nick “did a lot of switching around” as children but “never got caught in the act.” Arden also schools audiences in the finances of maintaining a prison: “The approximately hundred and fifty thousand prisoners serving life sentences alone are costing law abiding citizens over four billion a year in hard-earned tax dollars.” That many of the female characters are sexpots—especially Andy’s friend Ronni Marcus, president and CEO of Marcus Manufacturing—gives the narrative a pulpy feel. Intense violence typical of the genre plays a minimal role except in the opening homicide sequence and the surprising finale, which act as brutal bookends to a story that succeeds on the strength of its ideas.
Sci-fi and criminology deftly merge in this well-paced tale.Pub Date: Feb. 28, 2017
ISBN: 978-1-4834-3270-0
Page Count: 242
Publisher: Lulu
Review Posted Online: June 22, 2017
Kirkus Reviews Issue: Aug. 15, 2017
Review Program: Kirkus Indie
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...
Another middle-aged mom in a muddle.
After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).Pub Date: July 1, 2002
ISBN: 0-345-45071-X
Page Count: 352
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2002
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