by Dallas Hudgens ‧ RELEASE DATE: Sept. 1, 2007
A nourishing slice of Americana, expletives and all.
Crime and baseball make for an irresistible combination in this raunchy, fast-moving caper, a second novel just as good as Hudgens’s wild debut (Drive Like Hell, 2005).
Joe Rice, narrator and protagonist, owns a car-detailing business; his buddy Gene Dellorso runs a limo service; they share a warehouse in Virginia. Both men are in their 30s, live in the D.C. suburbs and have difficult relationships with their ladies. Unlike the more shady Gene, Joe is a stand-up guy, though his childhood was troubled. After his mother was locked up (embezzlement, a stabbing), he was raised by his benevolent Uncle Phil, who ran a numbers racket for the Mob (Joe helped out). Then Phil got whacked and Joe did time; now he’s legit, though Gene has a hustle online, selling OxyContins. Both men are baseball crazy. Joe is manager and catcher for a recreational team that includes Gene and their employees, half of whom are being hunted by Immigration. During the first game of the season, Gene collapses and dies. He’s not even buried before two guys hold up Joe at the warehouse, looking for “the bat.” Their search for this hugely valuable bat, once owned by Babe Ruth, sets the plot in motion. Gene was apparently the legal owner of the bat, but the circumstances are murky and the Mob is involved, which means Joe must play rough. The hoodlums take the bat from Gene’s house; it then changes hands several times. Everything gets personal once Joe learns the bat has ended up with the mobster who ordered his uncle’s death. Joe makes some good moves and several wrong ones in a world permeated by baseball—the guys think and talk the game even when they’re training guns on each other. In a neat comic twist, Joe loses the bat to his poor firearms skills but gains a ball signed by his idol, Joe Pepitone.
A nourishing slice of Americana, expletives and all.Pub Date: Sept. 1, 2007
ISBN: 978-1-4165-4148-6
Page Count: 224
Publisher: Scribner
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 2007
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by Kristin Hannah ‧ RELEASE DATE: July 1, 2004
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
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by Hanya Yanagihara ‧ RELEASE DATE: March 10, 2015
The phrase “tour de force” could have been invented for this audacious novel.
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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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