Blending grand-scale storytelling with deeply provocative social and spiritual themes, Lawrence could very well be the next...
The second installment of Lawrence’s Guardians series—following his debut novel The Guardians of Time (2011)—is equal parts epic science-fiction, time-travel adventure, historical-fiction drama and apocalyptic thriller.
With nothing short of the future of civilization at stake, agents from a time-traveling anti-terrorism group must go back into the past to stop an enemy organization determined to alter history—and thus the future—for its nefarious purposes. With dual storylines set largely in 2074 Monemvasia, Greece, “the Gibraltar of the East,” and early 19th-century Greece during the country’s war for independence against the Ottoman Empire, the high octane narrative is powered by an ensemble cast of well-developed, emotionally compelling characters such as Rashid Ibn Taleb Al-Noury, a young Moroccan who has joined the ranks of the Guardians as a Paladin to try and uncover what the Trustees are plotting in 1825 Greece; John Crowe, a ruthless, charismatic Trustee operative and former Paladin; and Mark Lawson, the time traveler from the future who brought with him that which could save humanity—and potentially destroy it. Although the science-fiction element is an obviously integral part of the storyline, much of the time it takes a backseat to the saga’s historical-fiction aspect. Lawrence excels at immersing the reader in 1825 Greece through vivid, thorough description and a clear knowledge of the area, its history and culture. Fans of elite alternate history sagas like S.M. Stirling’s Island in the Sea of Time trilogy, Robert Silverberg’s Roma Eterna and Eric Flint and David Drake’s Belisarius sequence will be more than satisfied with the meticulous historical detail, adept characterization and intricate plotlines of the Guardians saga.
Blending grand-scale storytelling with deeply provocative social and spiritual themes, Lawrence could very well be the next coming of Harry Turtledove.Pub Date: May 29, 2011
ISBN: 978-0983172116
Page Count: 371
Publisher: Pentelicus
Review Posted Online: June 30, 2011
Review Program: Kirkus Indie
BOOK REVIEW
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
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