by Damien Echols ; Lorri Davis ‧ RELEASE DATE: June 17, 2014
Reconstructed from thousands of letters the pair exchanged over 16 years, this tender and unusual narrative offers a rare,...
A former prison inmate and his wife share the personal letters they exchanged during his incarceration, offering insight into their remarkable, if slightly obsessive relationship.
Landscape architect Davis began writing to Echols (Life After Death, 2012) in 1996 after seeing a documentary about the murder case that landed him on death row. She soon found herself drawn to not only Echols’ story, but also the man himself. The pair wrote to each other several times per week. They talked about everything from “chastity belts [and] whirling dervishes” to “17-year locusts and Paganini.” Within just a few short months, Davis and Echols had fallen in love despite the fact neither one of them knew what the other looked like. After a brief summer visit, the profound spiritual and emotional connection deepened to include a physical component that surprised both with its intensity. Speaking of her desire for Echols, Davis writes, “[m]y body is alive with it…it is agony. Echols in turn reveals his wish to have Davis with him, “flesh against flesh [with] nothing to separate us.” Execution and the ups and downs of the appeals process hung over the pair like a shadow, yet Davis and Echols still managed to create an elaborate world of "magickal" possibility from which they drew strength. Believing that they were going to “build a history that stretch[ed] to infinity,” they married in 1999. The fight to keep their love, hopes and dreams alive continued until Echols was finally released in 2011. Then the couple began a new struggle to lead a normal life free from the barriers and surveillance that had formerly defined their relationship.
Reconstructed from thousands of letters the pair exchanged over 16 years, this tender and unusual narrative offers a rare, courageously intimate view of a love that should never have survived and yet did.Pub Date: June 17, 2014
ISBN: 978-0-399-16619-8
Page Count: 320
Publisher: Blue Rider Press
Review Posted Online: May 6, 2014
Kirkus Reviews Issue: May 15, 2014
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by Ta-Nehisi Coates ‧ RELEASE DATE: July 8, 2015
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”
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The powerful story of a father’s past and a son’s future.
Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”Pub Date: July 8, 2015
ISBN: 978-0-8129-9354-7
Page Count: 176
Publisher: Spiegel & Grau
Review Posted Online: May 5, 2015
Kirkus Reviews Issue: July 1, 2015
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by Ta-Nehisi Coates ; illustrated by Jackie Aher
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
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