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THE MISERABLES

The death of his grandfather spurs a young editor to reevaluate his life—in this brooding, introspective first novel from New Zealander Wilkins. Brett Healey is the 30-year-old literary editor of a Christchurch, New Zealand, newspaper, is happily married to reporter Louise and reasonably satisfied with his job. But on the ferry ride to his hometown of Wellington for his grandfather's funeral, Healey ``felt that a passage was clearing in his life.'' His ``journey away from himself'' had begun during an unhappy year as a law student and continued during unproductive postgraduate work in the American Midwest. The three days Healey spends in Wellington with family members and old friends are time enough for a spiritual stock-taking. He recalls the people: his warmhearted grandfather, disconcertingly becoming a stranger even as more clues to his past surface; his naturalist brother, a model of quiet integrity; his wretched cousin, a former drug addict and mental hospital inmate. And he recalls the walks: the arduous family excursions arranged by his father, the far more exciting forays with a friend through off-limits suburban creeks, yielding images of neighbors in private moments. Wilkins crosscuts between these jumbled memories, conversations in Wellington, and inconsequential moments from the ferry rides out and back, yet no clear picture of Healey or his placid life's journey emerges: instead of epiphanies, we get handfuls of air. Healey tells an American audience that because of its extensive coastline, New Zealand is all edge, no interior. Wilkins's novel is all interior, no edge, and the interior is a dull one.

Pub Date: Nov. 1, 1993

ISBN: 0-15-160523-8

Page Count: 288

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 15, 1993

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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