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LITTLE MASTERS

A meandering account of life among disaffected expatriates that ultimately overstays its visa: a second novel from New Zealander Wilkins (The Miserables, 1993) All the usual confusions that plague young people are prominent among Wilkins's brood, none of whom seems much more adult than the children who have somehow fallen into their care. Adrian Jankowiecz, a university dropout living on the lam in London, finds himself suddenly responsible for the upbringing of his unknown son Daniel when his mother dies and the boy is sent from New Zealand to the custody of his father in England. Adrian, without work, money, or prospects of any kind, takes Daniel to live with him in a squat in Southwark, manages, despite his lack of capital, to put him in a private school, and eventually lands a job in publishing. His boss, a genial incompetent named Timothy Clover, is usually out of town, and the neurotic Mrs. Clover relies upon her nanny Sarah to help take up the slack with the couple's children. Through the nanny network, Sarah becomes friends with Emily, another New Zealander, who looks after the daughter of an American woman in London, and through the Clovers they all get to Adrian and Daniel. We learn a lot about everyone's pasts and their families—Adrian's people were Polish refugees who survived Russian labor camps and escaped to New Zealand, and Timothy Clover is a ne'er-do-well son who has been set up in publishing by embarrassed relatives—but there is an odd absence at the center of the tale. All of the dramas that lie submerged within the plot—Adrian's hapless lethargy, Mrs. Clover's tightly coiled discontent, Daniel's helplessness—come back again and again to the surface but are never fully developed or explained, leaving the narrative seeming rather haphazard and, ultimately, aimless. Rich with shading and detail, but too loosely organized for its own good: a crowded canvas that badly wants some focal point.

Pub Date: June 1, 1997

ISBN: 0-8050-4951-7

Page Count: 368

Publisher: Henry Holt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1997

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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