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THE GOOD DOCTOR

Carefully, admirably crafted but, overall, unaffecting.

One of six finalists for the ManBooker 2003, originally scheduled to appear here in March 2004, but pushed forward: a highly accomplished but unmemorable post-apartheid story in which a young doctor’s best intentions end badly.

Set in a poor and remote part of South Africa that was formerly one of the notorious “homelands,” the tale is narrated by Frank Eloff, a doctor at a small and underused hospital. Frank is like the protagonists of so many stories about anomie and alienation, and the similarity makes the novel, despite its setting, more an intellectual cliché than an original. The hospital is headed by Dr. Ruth Ngema, who, having been promised a better posting, doesn’t want to jeopardize her chances by forcing improvements. Which means that there’s no response when thieves steal plumbing fixtures, and beds and buildings deteriorate. Frank, there because his wife ran off with his best friend and medical partner, takes a masochistic pleasure in living in this remote hellhole, where even the nearest town is dying. He also has a black mistress, Maria, who runs a dilapidated craft stall on the main road and is curiously reticent about the husband she claims to have. Accustomed to the tedium, Frank isn’t happy when he learns he’ll be sharing his room with newcomer Laurence Waters, a young doctor come to perform a year of community service. Laurence, an idealist bent on doing well, soon convinces Dr. Ngema, but not Frank, whose own ideals were lost while serving in the apartheid army, to set up clinics in the villages. The clinics are a huge success, but good intentions can’t compete with the realities of crime and corruption as the army arrives and sets up camp in the town. The soldiers are ostensibly there to track drug dealers, check corruption, and patrol the border for illegal crossings, but their activities seem increasingly more malevolent. A hospital worker is mysteriously wounded and nearly dies, and, on a night when Laurence is on duty, both he and his patient are abducted. Frank, too, soon finds his life dramatically changing.

Carefully, admirably crafted but, overall, unaffecting.

Pub Date: Jan. 9, 2004

ISBN: 0-8021-1764-3

Page Count: 224

Publisher: Grove

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Oct. 15, 2003

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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THE NICKEL BOYS

Inspired by disclosures of a real-life Florida reform school’s long-standing corruption and abusive practices, Whitehead’s...

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The acclaimed author of The Underground Railroad (2016) follows up with a leaner, meaner saga of Deep South captivity set in the mid-20th century and fraught with horrors more chilling for being based on true-life atrocities.

Elwood Curtis is a law-abiding, teenage paragon of rectitude, an avid reader of encyclopedias and after-school worker diligently overcoming hardships that come from being abandoned by his parents and growing up black and poor in segregated Tallahassee, Florida. It’s the early 1960s, and Elwood can feel changes coming every time he listens to an LP of his hero Martin Luther King Jr. sermonizing about breaking down racial barriers. But while hitchhiking to his first day of classes at a nearby black college, Elwood accepts a ride in what turns out to be a stolen car and is sentenced to the Nickel Academy, a juvenile reformatory that looks somewhat like the campus he’d almost attended but turns out to be a monstrously racist institution whose students, white and black alike, are brutally beaten, sexually abused, and used by the school’s two-faced officials to steal food and supplies. At first, Elwood thinks he can work his way past the arbitrary punishments and sadistic treatment (“I am stuck here, but I’ll make the best of it…and I’ll make it brief”). He befriends another black inmate, a street-wise kid he knows only as Turner, who has a different take on withstanding Nickel: “The key to in here is the same as surviving out there—you got to see how people act, and then you got to figure out how to get around them like an obstacle course.” And if you defy them, Turner warns, you’ll get taken “out back” and are never seen or heard from again. Both Elwood’s idealism and Turner’s cynicism entwine into an alliance that compels drastic action—and a shared destiny. There's something a tad more melodramatic in this book's conception (and resolution) than one expects from Whitehead, giving it a drugstore-paperback glossiness that enhances its blunt-edged impact.

Inspired by disclosures of a real-life Florida reform school’s long-standing corruption and abusive practices, Whitehead’s novel displays its author’s facility with violent imagery and his skill at weaving narrative strands into an ingenious if disquieting whole.

Pub Date: July 16, 2019

ISBN: 978-0-385-53707-0

Page Count: 224

Publisher: Doubleday

Review Posted Online: Jan. 20, 2019

Kirkus Reviews Issue: Feb. 1, 2019

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