A sensitive and engaging portrait of an important time and place.


A novel welcomes readers to the late 1960s, when militant idealism flourished.

It’s the ’60s, and Vietnam War issues are roiling campuses; the Black Panthers are in the news; and a group of college kids, led by Jill Levy and David Levinski, has moved to an old farm in Vermont’s Northeast Kingdom. The cohorts will enjoy the simple life, hone their idealism, and plan protests. Fortunately, they have the farm’s wise, older former owners, Leland and Mary Smith, to befriend and ground them. The students squabble at times, and some townspeople are dangerously hostile, but they are surviving, making a go of it. Then Mark, a radicalized and charismatic Vietnam veteran, shows up and convinces Jill and others to bring the war home (think Weather Underground). David, wanting no part of such violence, stays on the farm. He is still there when Jill returns, on the run. The surprises come thick and fast in the dramatic climax. Chodorkoff is a very accomplished writer. The plot is strong, and the characters are well drawn. That said, Jill is also a recognizable type. She’s a daughter of privilege, with her father a well-known liberal lawyer and their Upper East Side apartment a Manhattan salon where they often entertain radicals. David, by contrast, is a middle-class kid lacking Jill’s overweening confidence and self-righteousness. It is all too easy to see how she could come to doubt and even ridicule David’s tentativeness and his ideological unease and how she could be seduced (literally and figuratively) by Mark, who is quick to save his own skin by giving her up to the feds. The author has David narrate most of the engrossing book, but the story is interspersed with Jill’s passages. She largely ruminates on her and David’s relationship and her ideological enthusiasms (and cluelessness). Along the way, readers will learn what year-round life is like in the Northeast Kingdom and the hard work and rewards of maple sugaring. And they will discover at the end that David is a real mensch. But they probably suspected that from the get-go.

A sensitive and engaging portrait of an important time and place. (Short bio, list of books by the publisher.)

Pub Date: Feb. 8, 2022

ISBN: 978-1-947917-81-1

Page Count: 420

Publisher: Fomite

Review Posted Online: Feb. 1, 2022

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Strong storytelling in service of a stinging moral message.


A long-lost painting sets in motion a plot intertwining the odyssey of a famed 19th-century thoroughbred and his trainer with the 21st-century rediscovery of the horse’s portrait.

In 2019, Nigerian American Georgetown graduate student Theo plucks a dingy canvas from a neighbor’s trash and gets an assignment from Smithsonian magazine to write about it. That puts him in touch with Jess, the Smithsonian’s “expert in skulls and bones,” who happens to be examining the same horse's skeleton, which is in the museum's collection. (Theo and Jess first meet when she sees him unlocking an expensive bike identical to hers and implies he’s trying to steal it—before he points hers out further down the same rack.) The horse is Lexington, “the greatest racing stallion in American turf history,” nurtured and trained from birth by Jarret, an enslaved man who negotiates with this extraordinary horse the treacherous political and racial landscape of Kentucky before and during the Civil War. Brooks, a White writer, risks criticism for appropriation by telling portions of these alternating storylines from Jarret’s and Theo’s points of view in addition to those of Jess and several other White characters. She demonstrates imaginative empathy with both men and provides some sardonic correctives to White cluelessness, as when Theo takes Jess’ clumsy apology—“I was traumatized by my appalling behavior”—and thinks, “Typical….He’d been accused, yet she was traumatized.” Jarret is similarly but much more covertly irked by well-meaning White people patronizing him; Brooks skillfully uses their paired stories to demonstrate how the poison of racism lingers. Contemporary parallels are unmistakable when a Union officer angrily describes his Confederate prisoners as “lost to a narrative untethered to anything he recognized as true.…Their fabulous notions of what evils the Federal government intended for them should their cause fail…was ingrained so deep, beyond the reach of reasonable dialogue or evidence.” The 21st-century chapters’ shocking denouement drives home Brooks’ point that too much remains the same for Black people in America, a grim conclusion only slightly mitigated by a happier ending for Jarret.

Strong storytelling in service of a stinging moral message.

Pub Date: June 14, 2022

ISBN: 978-0-39-956296-9

Page Count: 416

Publisher: Viking

Review Posted Online: March 16, 2022

Kirkus Reviews Issue: April 1, 2022

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A whimsical fantasy about learning what’s important in life.

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An unhappy woman who tries to commit suicide finds herself in a mysterious library that allows her to explore new lives.

How far would you go to address every regret you ever had? That’s the question at the heart of Haig’s latest novel, which imagines the plane between life and death as a vast library filled with books detailing every existence a person could have. Thrust into this mysterious way station is Nora Seed, a depressed and desperate woman estranged from her family and friends. Nora has just lost her job, and her cat is dead. Believing she has no reason to go on, she writes a farewell note and takes an overdose of antidepressants. But instead of waking up in heaven, hell, or eternal nothingness, she finds herself in a library filled with books that offer her a chance to experience an infinite number of new lives. Guided by Mrs. Elm, her former school librarian, she can pull a book from the shelf and enter a new existence—as a country pub owner with her ex-boyfriend, as a researcher on an Arctic island, as a rock star singing in stadiums full of screaming fans. But how will she know which life will make her happy? This book isn't heavy on hows; you won’t need an advanced degree in quantum physics or string theory to follow its simple yet fantastical logic. Predicting the path Nora will ultimately choose isn’t difficult, either. Haig treats the subject of suicide with a light touch, and the book’s playful tone will be welcome to readers who like their fantasies sweet if a little too forgettable.

A whimsical fantasy about learning what’s important in life.

Pub Date: Sept. 29, 2020

ISBN: 978-0-52-555947-4

Page Count: 336

Publisher: Viking

Review Posted Online: July 14, 2020

Kirkus Reviews Issue: Aug. 1, 2020

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