Sumptuous sci-fi with originality to spare.

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PIERCING MAYBE

Cray’s sci-fi thriller stars a heroine who battles a hidden race determined to curtail humanity’s growth.

Andra Barger is a diminisher. Utilizing arcane abilities, she stalks pregnant women and surreptitiously places a special gel on their palms. The gel chemically alters the unborn children, “diminishing” them by preventing special powers from developing. Andra performs this chilling work at the behest of the Cinüe, a hidden branch of humanity, who have managed their evolution. The Cinüe have sequestered themselves in a place called Edenshire, but every 50 years, the Sugar Dandruff Council—nine individuals who assign Andra’s targets—vote on whether to maintain or repeal the Jeremiah Maybe Diminishing Act, which according to Cinüe leader Asantha Cooray VIII, is about “keeping everyone equal...and keeping the peace.” While on assignment in Hawaii, Andra runs into Wade, an old flame who acts as a “mailman” for the Cinüe. He delivers a message from Asantha herself: “Sugar Dandruff Council convening in three days for renewal vote. You’ll be my proxy.” Andra’s first instinct is to vote against renewing the Diminishing Act. When she eventually meets Asantha, however, so begins the unraveling of the world’s deepest secrets. In this visionary work, Cray (Friends from 4 A.M., 2012, etc.) marries heady concepts to kaleidoscopic tableaux while keeping both in service to his characters’ humanity. The work continually surprises, as in the line about Wade’s “necrospondence,” a special candle that’s like “peeking inside a Faberge egg, only the ‘egg’ could spy upon another place.” Cray also delights in the most gorgeous settings, from the opening on a Hawaiian beach to Australia’s red sandstone monolith Uluru, which “sparkled whenever the fading twilight hit the coarse quartz and feldspar.” The narrative’s whiplash pacing is perfect with a species at stake, and Cray parlays every plot element—including Jackson, Andra’s terminally ill brother—into a satisfying twist. Ultimately, this adventure is a linguistic feast and a moral challenge that readers should be eager to pass along.

Sumptuous sci-fi with originality to spare.

Pub Date: Aug. 14, 2018

ISBN: 978-1-940317-07-6

Page Count: 338

Publisher: Third Quandary Books

Review Posted Online: June 18, 2018

Kirkus Reviews Issue: Aug. 1, 2018

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The phrase “tour de force” could have been invented for this audacious novel.

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A LITTLE LIFE

Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 22, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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Less bleak than the subject matter might warrant—Hannah’s default outlook is sunny—but still, a wrenching depiction of war’s...

HOME FRONT

 The traumatic homecoming of a wounded warrior.

The daughter of alcoholics who left her orphaned at 17, Jolene “Jo” Zarkades found her first stable family in the military: She’s served over two decades, first in the army, later with the National Guard. A helicopter pilot stationed near Seattle, Jo copes as competently at home, raising two daughters, Betsy and Lulu, while trying to dismiss her husband Michael’s increasing emotional distance. Jo’s mettle is sorely tested when Michael informs her flatly that he no longer loves her. Four-year-old Lulu clamors for attention while preteen Betsy, mean-girl-in-training, dismisses as dweeby her former best friend, Seth, son of Jo’s confidante and fellow pilot, Tami. Amid these challenges comes the ultimate one: Jo and Tami are deployed to Iraq. Michael, with the help of his mother, has to take over the household duties, and he rapidly learns that parenting is much harder than his wife made it look. As Michael prepares to defend a PTSD-afflicted veteran charged with Murder I for killing his wife during a dissociative blackout, he begins to understand what Jolene is facing and to revisit his true feelings for her. When her helicopter is shot down under insurgent fire, Jo rescues Tami from the wreck, but a young crewman is killed. Tami remains in a coma and Jo, whose leg has been amputated, returns home to a difficult rehabilitation on several fronts. Her nightmares in which she relives the crash and other horrors she witnessed, and her pain, have turned Jo into a person her daughters now fear (which in the case of bratty Betsy may not be such a bad thing). Jo can't forgive Michael for his rash words. Worse, she is beginning to remind Michael more and more of his homicide client. Characterization can be cursory: Michael’s earlier callousness, left largely unexplained, undercuts the pathos of his later change of heart. 

Less bleak than the subject matter might warrant—Hannah’s default outlook is sunny—but still, a wrenching depiction of war’s aftermath.

Pub Date: Jan. 31, 2012

ISBN: 978-0-312-57720-9

Page Count: 400

Publisher: St. Martin's

Review Posted Online: Dec. 19, 2011

Kirkus Reviews Issue: Jan. 1, 2012

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